A Pictorial of Silent Film-R.K.O/Desilu Connection

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A scene with a man dressed in a green suit with question marks, holding an umbrella and posing in front of a camera. Nearby, a woman in a red and yellow dress stands with her hands on her hips. Two chefs in white uniforms observe, one holding a plate.
Batman and Robin stand next to a large book titled 'A Pictorial History of Silent Films' by Y.Y. Flurch, with an illustration of a woman holding a conductor's baton.

Pictures on the Silver Screen

A black and red Batmobile parked outside 'Mother Gotham's Bakery' with a blue sign indicating 'Employees Only' nearby.
A woman in a bright red dress smiles while sitting beside a man in a green suit with question marks, who appears to be animated and cheerful.

“Every set needs food -Robin”…This is a clue. “That was a great sandwich” says The Riddler

A man in a green outfit is cleaning a dusty surface in a room with large windows and a sign indicating 'STAGE 2-3-4' in the background.

Meanwhile-at the Old Thomas Ince Studios- The Riddler “cuts” his latest silent film.

Three individuals sitting on director's chairs in a film studio, with film reels and posters visible in the background. The woman is wearing a red dress, while the men are in formal attire.
A scene from a classic film shows two men in conversation in front of a large projection screen, with one man dressed in a police uniform and the other in a hat and formal attire. In the background, a chef is watching from behind a counter.
A woman with her face covered in what appears to be cream or pie, sitting at a desk in front of a wall of filing cabinets.
A tense scene featuring a man in a green vest with a worried expression, sitting in front of an old film projector. Another man in a blue suit and hat is smiling behind him.
A black-and-white image on a projector screen featuring a superhero alongside a futuristic vehicle, with various classic cars visible in the background.
A black and white image featuring a movie scene of a superhero duo, Batman and Robin, standing next to a classic car. Robin is pointing while Batman looks on, both in their iconic costumes.
A black and white film scene featuring a superhero in a cape and a child standing in front of a movie theater entrance, with a sign stating the theater is closed.
Three people sitting on director's chairs in a studio, smiling and enjoying a moment together.
A vintage projector screen displaying a black and white image of two figures indoors, with a contrasting colorful background featuring an advertisement for 'Lily Adair, Nude Romance.'
A large projection showing an image of a woman and text that reads 'NATIONAL HISTORY OF SILENT FILM' displayed in a gallery setting, with a door and other artworks partially visible.
A vintage poster for a silent film displayed in a doorway with a partially visible figure in the background.
Two men smiling and laughing, one wearing a bright green outfit and the other in a blue suit and hat, with a film projector in the background.

“Another Classic Cecil” – The Dynamic Duo gets clobbered by a Silent Movie Bill Board

A smiling man in a suit stands next to a vintage camera on a tripod, exuding a sense of professionalism and nostalgia.

Cecil B. DeMille

A scene depicting a colorful villain, dressed in a green costume with a question mark motif, looming over a tied-up hero in a red and green outfit. In the background, a man in a white hat is holding a megaphone, while another figure looks on, all set in a dimly lit room filled with various props.
A scene featuring two characters, one in a suit and hat laughing, and another wearing a green superhero costume holding a panel labeled 'CONTROL LEVELS' with indicators for speed.
A man in a green costume with purple accents gestures dramatically in front of a large control lever marked 'CONTROL LEVEL.' Another man wearing a gray suit and cap laughs in the background, inside a rustic wooden room.

“Quiet on set…ACTION ! “

A man using an old-fashioned camera on a wooden platform surrounded by a rustic interior, with beams and supports visible in the background.
A woman with dark, styled hair is holding a spotlight while smiling, set against a dimly lit background.
A man standing in a film studio, holding a script and leaning against a wooden beam, with studio lights and a backdrop visible.

Cecil B. DeMille operated this studio following Thomas Ince’s “untimely death.”

A scene featuring a man in a green costume and a pink mask shouting, while a character in a red outfit lies on the ground, suggesting a dramatic confrontation.

“Any last words before you become split in half ?”

A character in a green costume is holding a spray can while preparing to use a circular saw on a metallic work surface.
Four men in a cluttered workshop, with one man lying on a table while others appear to be inspecting him. The setting features wooden materials and tools, suggesting a stage or production environment.
Image features bold text that reads 'WILL WE SEE THE BOY WONDER SAWED IN TWO?' over a scene showing a character lying down.
A dimly lit workshop with wooden beams and tools scattered around. A person lies on a wooden plank surface near a table, seemingly in an inactive pose. The scene has colorful lighting effects, creating a dramatic atmosphere.

That sharp blade is spinning -Real Fast–Time is running out!

A grand white mansion with green shutters, featuring a large staircase leading to the entrance. A person in a dark cape is seen on the steps, while a vintage car is parked in front amidst neatly trimmed hedges.
A large white mansion with green shutters, featuring a set of stairs at the entrance. In the foreground, a man in a dark outfit runs along a pathway lined with hedges, while two cars, a vintage black sedan and a red convertible, are parked nearby.
A man dressed as Batman stands beside a classic black Batmobile in front of a large mansion with green shutters and a well-kept garden.
A close-up view of a car seat with a vintage-style toy or device resting on it, illuminated by natural light, highlighting the texture of the leather seat.
Batman in his iconic costume stands next to the Batmobile in front of a house with green shutters.
A scene featuring a man in a suit speaking to a character in a Batmobile, with a grand house and greenery in the background.
A man in a Batman costume with a cape sitting in a retro Batmobile, featuring distinctive fins and devices emitting small jets of smoke.

Robin lost his locator /transmitter making this more difficult, fortunately,Batman has solved this -RIDDLE !

A man in a suit waves goodbye as a sleek black car with red accents, resembling a famous fictional vehicle, drives away in front of a large white house with green shutters.

Good Luck Batman…

A street view of Gotham Lumber Yard featuring a wooden building with a prominent sign. In the foreground, there's a stop sign and a concrete sidewalk, while parked cars line the street in the background under a cloudy sky.

“STOP” – for traffic on Ince Blvd.This, believe it or not, was the main gate and guard shack-that little closet next to stop sign.

Exterior view of Gotham Lumber Yard with a wooden sign and a stop sign nearby.
A black and red vehicle departs from a lumber yard labeled 'Gotham Lumber Warehouse,' on a cloudy street lined with parked cars.
A black car with red accents resembling a superhero vehicle speeds past a lumber store, with parked cars lining the street.

Batman enters this old Bioscope/Triangle Studio founded by Thomas Ince

A person dressed as Batman stands in a doorway, partially visible in a dimly lit room surrounded by wooden planks and construction materials.
A performer in a green face paint and a black cape poses dramatically on wooden crates, while a person in a grey and black costume stands below looking up, with colorful lighting creating distinct shadows.
A character dressed in a red shirt, green shorts, and gloves, lies on a wooden table in a workshop-like setting, with saw blades visible in the background.
A scene featuring a superhero in a cape leaning over a figure dressed in a red and green costume lying on a wooden table, set against a backdrop of wooden planks.

“Holy Saw Blade Batman-That was cutting it close!”

Vintage dressing room with a large mirror surrounded by lights, featuring a vanity table with various beauty products and a cushioned seating area.

This trailer talks and often delivers images in mirrors that have seen more movie history than all other mirrors combined. Truly Magical…Something right out of-The Wizard of Oz.

A comparison of two structures: on the left, an ornate black door with decorative details, and on the right, a dilapidated wooden building with an open entrance, showing signs of decay and damage.

Silent Movie Trailer- Marion Davies

A vintage mirror surrounded by light bulbs, featuring black and white portraits of several people in early 20th-century attire.
A First of it’s kind room and the faces -Once Upon a Time
A silhouetted figure of a man wearing a hat stands in a graveyard, with barren trees and gravestones in the background.
A bottle of Phantom wine placed on a rustic surface with a wooden shed and trees in the background.

Guarded by Spirits

Silent Days are here Again

Amazingly, in my quest to find Batman-I discovered this old Hollywood Trailer. Not just any trailer mind you-this is the oldest relic in Hollywood History. Fittingly, the Thomas Ince/ R.K.O lot has been its home for decades. Disguised as a Garden Shed and used as such after 1971, this chameleon used its own “make up skills” to avoid desegregation from an industry that forgot it’s past, or lost it completely.

Batman himself has had his make-up touched up inside and in front of these MAGIC MIRRORS.

I was told that by a senior home owner who happened to lived on Lucerne back when Gone With the Wind filmed the infamous fire scenes. Quote: ” The Bat Mobile pulled up and parked here, and Batman exited with a brown paper bag drinking a beer.”

It is a right of passage to drink on the sets that dodged prohibition on property that has a checkered past. Wine bottles from Italy are inside this tiny escape trailer. A 1925 -well used – Star Massage vibrator still remained inside when this “Bat Story” was told to me.

The R.K.O – Desilu film vaults are a short walk from this backyard triangle. In a testament to Silent Films, highly flammable nitrate film was stored in explosive proof bunkers or vaults. Hal Roach Studios intersects this all time movie history corner. This Episode of Batman is a spoof of that era with twists and turns that are eerily delivered that connect to this studios past.

Batman unknowingly at this time, wasn’t just recreating history, it actually as creating significant television history-In Living Color, no-less.

This episode is a treat, so full of history, such as the Desilu Plantation Headquarters, the iconic building still proudly looking up at the Culver Hotel. Everything looks up to something. The Forty Acres backlot looked up to the infamous Desilu water tower, which sadly was removed by Amazon Studios, an owner that lost touch of the history that took place on the glorious formerly silent movie studio.

If you-yourself remain silent, areas of this studio still talk. They do to me anyways. The past still exists, just adjust the antenna on your roof, you will get a signal, I promise you. It only fades away if you let it, tune in, not out.

Time is your precious friend, full of rich, colorful memories that disappear if not preserved. That’s where I step in-to preserve the still remaining, almost forgotten past. The stories behind the films and T.V Series from yesteryear.

Written and Lived by…Donnie Norden

The Bookworm Takes over Gotham City at Warner Brothers

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A man with a unique hat and thick glasses sits thoughtfully in a chair, holding a small object to his temple, surrounded by colorful lighting and books.

Mr. Roddy McDowell–A.K.A The Bookworm. That hat would be so handy!

A humorous scene featuring a small blue vehicle with a sign that reads 'Let GAYFELLOW take you to the CLEANERS' in front of a sleek black car, with a grassy background.

Lets do some Batmobile Comparisons…Then and Now

Close-up view of a sleek, custom-designed black vehicle with metallic accents, showcasing intricate details and a reflective surface.
The latest Batmobile on the Warner Brothers Backlot. The reengineered grill…
Close-up view of a unique car dashboard featuring colorful, intricate designs and a sleek steering wheel.

The Bat Dashboard

A character dressed as Batman, wearing a black mask and cape, sits in a classic Batmobile with visible rocket launchers in the background.

“Impressive” says- The Best Batman Ever !

Interior view of a classic car featuring a futuristic dashboard, sleek steering wheel, and black leather seats.
1966 Batmobile complete with a- 8 Track sound system, because…Batman Rocks!
A black and red futuristic vehicle parked on a dirt road, with a character in a purple top hat and suit standing beside it, while another character in a dark cape leaps onto the car.

Original Hood allows for a fighting platform- not so with the modern front end.

A close-up view of a sleek, futuristic black car with distinctive design features resembling a superhero motif, positioned on a street near colorful buildings.
A colorful, vintage-style car with characters in costumes, including a person with a purple top hat, driving on a road with trees in the background.

Original Batmobile has space enough to transport villains of every shape and size,

A man in a suit stands next to a sleek black car at an outdoor event. The background features decorative lighting and a sign thanking sponsors, with a vintage street setting.

I prefer the old Mag Wheel Rims – They wear like a Medal of Honor. In 1967, my sister had a G.T.O with “Mags,” she was very popular …because my dad set her up! I was Seven…could only pretend I was the driver.

A sleek black car with a large wing parked on a deserted urban street, showcasing classic architecture in the background.
Close-up view of a sleek black car's wheel and tire, showcasing detailed rim design and aerodynamic elements.
A sleek black car with distinctive features is parked prominently in front of a building displaying a poster that celebrates 100 years of Hollywood. Two men are engaged in conversation nearby.

These tail fins make this vehicle look fast…even when in park.

A close-up view of a black vehicle with distinct wing-like features parked on the street, with a historic building and a 100 Years of Hollywood sign in the background.
Feature Money” -redesigned aerodynamic tail end.

These tail fins make this vehicle look fast…even when in park.

A person in a superhero costume stands atop a classic black car with distinctive fins, surrounded by green trees and grass.
A vintage radio device resting on a sleek black leather car seat, illuminated by sunlight.
A man dressed as Batman in a classic superhero suit stands beside the Batmobile in front of a house with green shutters.

Vintage Batman key chain transmitter-we were ahead of our time here…

A classic black car inspired by the Batmobile, featuring distinct curves, orange accents, and a futuristic design. The background includes a mural of a similar vehicle.

The car every boy dreamed of…

A futuristic concept car with a sleek design, showcasing a unique shape and prominent tail fins, displayed on a wooden floor with curtains in the background.
A vintage, rusty car with a unique, cartoonish design, featuring large headlights resembling eyes, parked in a rural area surrounded by trees.

Proto Types – The Late Great George Barris

A smiling man wearing sunglasses sits inside a black car resembling the Batmobile, with a distinctive bat logo on the side.
A display of three iconic black Batman vehicles, showcasing distinct designs and features, set against a spacious industrial background.
Evolution Complete…”Holy Hot Wheels Batman.”
A man in a hat watches two women walking down a street in an urban setting. One woman is dressed in an orange dress while the other is in a light blue outfit. Classic cars are parked along the street, and a 'No Parking' sign is visible.
A man in a uniform holding a brown bag and a book looks out from a building entrance as a classic black car with red accents, resembling the Batmobile, drives past on a city street.
A woman in a red outfit stands on a street, looking away, as a man in a white chef's hat watches her. In the background, a sleek black car is parked, and several people walk down the street lined with buildings.
A woman in a red outfit walks towards a black and red iconic car on a city street, while a man in a white uniform looks on from a building entrance.

We begin with- a sandwich and a Good Book

A man wearing a newspaper hat sits while holding a sandwich in one hand and a book in the other, appearing to read and snack simultaneously.
A man wearing a white hat and glasses sits on stone steps, holding a book in one hand and a sandwich in the other, surrounded by scattered papers.
A person holding a sandwich in one hand and a book that contains a hidden gadget with buttons and a speaker in the other hand.

Wait -that’s not any book -it is a phone book.

Batman and Robin in superhero costumes, standing in front of a large door, with a man in a paper hat eating a sandwich nearby.
Batman and Robin interacting with a man in a delivery uniform, standing in front of a building entrance.

The Caped Crusaders are falling into Bookworm’s trap.

A man with glasses and a brown hat, wearing a brown leather jacket, looks intently from behind a wooden barrier, with a focused expression.

“Those illiterate fools- Time is on my side.”

A green police call box labeled 'GOTHAM CITY POLICE CALL BOX' with smoke billowing from it, located on a street with a visible speed limit sign of 15 miles per hour and a police officer in the background.
A Gotham City police call box emitting red smoke, with a speed limit sign reading 15 miles per hour in the background.

“Chief O’Hara -Robin needs help!– Holy Collect Call-I want my quarter back.“

A person stands in a dimly lit space near a large bell, with green and orange lighting illuminating the surroundings. The bell is suspended above, and a rope is attached to it, while wooden structures are visible in the background.

For whom the Bell Tolls

A dramatic title card featuring the text 'THE FIRST MINUTE OF THE NEW DAY... THE EVERLASTING END FOR ROBIN!' in bold yellow letters against a dark background.
A dramatic scene featuring text that reads 'THE DEATH-KNELL SOUNDS TOMORROW... SAME BAT-TIME...' over an image of a character suspended upside down.
A close-up view of a blue illuminated clock face against a dark background.
A person in a colorful outfit is suspended above a large metallic sphere, with shadows and a rope visible in the background.
A group of people walking on a city street, with a vintage black car resembling the Batmobile parked nearby. A large advertisement for 'Delight of Cooking' is visible in the background.
Aerial view of two characters watching from a ledge as a photographer captures an image of a woman next to a large advertisement for a cooking book in a city street, with vintage cars visible.

“Reading is fundamental Batman-you unschooled, uneducated, bundle of stupidity!”

Aerial view of a bustling street with people walking, wearing 1960s attire, including formal suits and dresses. Several individuals appear to be waving or pointing, while cars are parked in the background.
A lively street scene with several people dressed in 1960s fashion, engaging in a spontaneous celebration or dance. A woman in a pink outfit and hat is prominent, while others are smiling and raising their arms in enjoyment. The backdrop features a building with large windows.
A classic scene featuring a futuristic black car driving through a city street, with several vintage cars parked along the curb. Two pedestrians, a man and a woman, are walking on the sidewalk, while another figure is walking nearby, creating a bustling urban atmosphere.
A classic black convertible car, resembling the Batmobile, parked on a city street with people walking around. In the background, a large advertisement for a cookbook titled 'Delight of Cooking' featuring a cartoon chef is visible.

The Caped Crusaders want this book returned to the library -NOW!. -LONG OVERDUE

A view of a film studio street scene featuring buildings with various architectural styles, including a hotel and a theater, with a small vehicle driving down the empty street.

Citizens of Gotham going to the Book Fair.

A crowd gathers around a classic black Batmobile with its wings open, featuring Batman and Robin in superhero costumes amidst onlookers in vintage clothing.
Two actors dressed as Robin and Batman stand in a busy city street, with pedestrians and a parked Batmobile in the background.

“Stay Away Citizens..This book is over due!”

A vintage Batmobile parked on a concrete surface with a character in a Batman costume standing next to it.
Batman using a gadget from the Batmobile while Robin looks on from the driver's seat.
A person wearing a black cape aims a toy gun at a colorful mural depicting a chef stirring a pot, likely in a playful or artistic setting.
View from above showing two characters observing a street scene with a large book standing upright, while a car and several people are present below.

“Wait-“I’ll pay the Fine Batman” says the man dressed in total leather…

Batman and Robin stand in front of a wall displaying a sign that reads 'Ex Libris The Bookworm'. Batman is touching the sign while Robin looks on.
A scene featuring two masked characters in a smoky environment, one dressed in a dark cape and cowl, holding a device, while the other, wearing a green outfit and a mask, stands closely behind.

“Just as I thought Robin- this book is way overdo at the Gotham Library

A large colorful sign reading 'The Delight of Cooking' with a cheerful chef illustration, alongside a blue vehicle and several individuals wearing police uniforms.
A group of police officers working together to move a large advertisement while an onlooking crowd watches.

A trap- this book is cooking the crusaders inside the cover-is this the tasty end of the dynamic duo?

A colorful mural titled 'The Delight of Cooking' featuring a cheerful chef, while police and bystanders respond to an emergency situation with fire trucks and a vintage car.
A colorful billboard depicting a cheerful chef with pots, titled 'The Delight of Cooking,' alongside an explosion and emergency vehicles responding.

“Fight fire with fire” as Gotham P.D blows off the cover and rescues our beloved main course.

A street view of several buildings featuring a mix of architectural styles, with trees lining the sidewalk. The buildings include storefronts with signs, awnings, and various window designs.

Case Closed -Back to the library goes this cookbook “Prop Storage.” The Bookworm agrees to a small fine, Gotham City returns to normal…

Written and Lived by Donnie Norden

What’s New Pussycat ?-Desilu

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A collage of black and white and color images featuring women in various poses and outfits, showcasing vintage styles and themes, including swimwear, casual attire, and playful cat-inspired looks.

Catwoman-The original recipe…

Scene featuring a tiger and a person in a dark costume with the caption 'BETTER LUCK NEXT TIME' in bold yellow text.

Cat, scratch fever time…

A tiger walking out of a dimly lit doorway, showcasing its distinctive fur and piercing eyes.
A scene showing Batman facing a tiger in a dramatic confrontation.

A stealthy, sleek feline wants to have it’s way with this Caped Crusader

A room featuring a woman in a black outfit and two men dressed in tiger-striped suits, sitting on a rug while watching a television displaying a tiger. Decorative animal sculptures and a vintage style table are also visible.

A Caged Bat fighting a Big Cat –on T.V no-less. A chemistry exists between this gorgeous, graceful feline and this debonair crime fighter in the battle of- TIGHT FITTING COSTUMES.

Batman and Robin stand in a dimly lit room, with Batman in a gray suit and Robin in a red and green costume. A villain in stripes can be seen peeking out from a small opening in the background.
A close-up shot of two pairs of shoes, one green suede boot with a unique design and one black leather boot, alongside a pair of bare legs. The background features a dimly lit stage.
A figure in a dark cape approaches a transparent containment chamber holding a suspended character in an orange outfit, set against a stark industrial background.
Batman stands heroically with his arms outstretched in a dramatic pose, while Robin kneels on the ground in front of him, suggesting a tense scene.

Catwoman is no- push over-she plays very hard to get!-Don’t let her purring fool you!

A woman in a black catsuit and mask, striking a dynamic pose on the hood of a vintage convertible car, set against a natural landscape.

She can lick you – to DEATH. Not a bad way to go I suppose…

Behind-the-scenes image of a woman dressed as a cat-themed character being styled by two assistants, surrounded by greenery.

The Line is -“Come and Get Me Batman.” Lorenzo Semple Jr. would go on to write – King Kong 2–1976. Wardrobe and make up time on this backroad with a quick script read…

A woman dressed in a shiny black catsuit with a cat mask, styled hair, and a gold belt, posing with a playful gesture in a grassy outdoor setting.
“Come and Get Me- BATMAN“
A faded photograph of a dirt pathway bordered by tall grass and shrubs, with scattered trees in the background.

Same muddy road

A woman dressed in a black catsuit and mask kneels on the hood of a classic car, posing dramatically with one hand raised. The background features grass and shrubbery, suggesting an outdoor setting.
A woman in a black catsuit poses dramatically on the hood of a classic convertible car, pointing a weapon at a passing blue vehicle on a rural road with lush greenery in the background.

A Feline Car fit for the most seductive villain ever created-A Jaguar Commercial if I ever saw one.

A vintage photograph featuring tall pampas grass swaying in a soft, blurred background of greenery and trees under a pale sky.
A woman in a black catsuit and mask is sitting on the hood of a car, with her hair flowing and the sky blue in the background.
A woman in a black leather outfit stands on a dirt road, facing away from a vintage blue delivery van parked nearby, with tall grass in the background.
A man dressed in a tiger-striped outfit stands next to a blue van against a backdrop of lush greenery and blue sky.

A Feral cat has just arrived…

Close-up of a striped cat with its mouth wide open, showcasing sharp teeth and an expressive face.
Woman wearing a black cat mask and costume, with flowing hair, expressing a fierce appearance against a blue background.

Hissing and hawing is a backlot warning…

Batman in a classic gray and black costume sitting on the hood of a retro Batmobile, surrounded by greenery.

“I’ve picked up your cat nip scent-CATWOMAM…Wanna race cars?”

A woman with wavy blonde hair and a red ribbon, wearing bold red lipstick and a black outfit, posing for the camera.
Like a fine wine, every feline quality still presents itself gracefully as if – time skipped over her. “HANDS OFF BATMAN!”
A serene landscape view featuring lush greenery, trees, and soft sunlight filtering through the foliage.

Cats really live in this stranger than life Animal Kingdom.

A light blue van parked in a narrow alleyway, partially obstructed by walls on either side. A sign reading 'GATO & CHAT FUR CO. WHOLESALE & RETAIL' is visible in the background. The ground shows tire tracks leading into the alley.
A street scene featuring a sleek, black car with bright red accents parked in an alleyway. A sign on the wall reads 'GATO & CHAT FUR CO. WHOLESALE & RETAIL'.
A sleek blue and black futuristic car parked in a narrow alleyway, with a sign reading 'Gato & Chat Fur Wholesale & Retail' visible in the background.
A yellow-coated figure and a dark-clad figure walk towards a warehouse marked 'GATO & CHAT FUR Co' on a brick wall. An iconic black vehicle is parked in the foreground.

“HOLY ALLEY CAT -BATMAN–A FUR BALL FACTORY!”

A woman in a black cat costume and mask stands confidently beside a man dressed in a striped tiger outfit, both surrounded by greenery.
A woman in a black cat costume with a mask and necklace stands confidently, while a man in a tiger-striped outfit looks at her intently, both surrounded by greenery.

“We’ll mine the other backroad, that will – fix him.”

An explosion occurs on a dirt road surrounded by greenery, while a car speeds by.
A classic black car with red accents, resembling a Batmobile, driving down a dirt road surrounded by lush greenery and smoke coming from the vehicle.
An explosion occurring on a dirt road, with bright flames and smoke rising, while a car is visible in the background.
A dirt road surrounded by trees, with a car on fire in the distance.
A classic black and red batmobile driving down a dirt path, emitting smoke in a wooded area.

Two dirt roads surround Gotham City- this one runs alongside the creek- these 6 photos put you there.

A sunlit dirt path surrounded by greenery and tall grasses, leading through a serene landscape.
A classic car driving down a narrow, tree-lined dirt road, surrounded by lush greenery.
A masked female figure in a black outfit sneaks through a cave-like environment, with rocky formations in the background, while a person in a yellow dress and green shoes stands in the foreground.
A woman dressed as a superhero with a black mask and a blue cape, set against a rocky background.
A woman dressed as a cat burglar wearing a black costume and mask, holding a large blue sack, with a dramatic backdrop of a desert landscape.
A scene depicting three characters in a cave setting, two of them wearing brightly colored capes and one dressed in dark attire, with the cave's stalactites and formations visible in the background.
A woman dressed as a cat-themed superhero with a black mask and shiny outfit, looking dramatically to the side against a dark, illuminated background.
Batman and Robin discussing in a cave setting, with Batman wearing a blue costume and Robin in a red and green outfit.

“Don’t jump CATWOMAN-Your cat claw nails can’t dig in to this granite. One final “Cats Meow.”

A classic depiction of Batman and Robin in costume, engaging in conversation. Batman is wearing his iconic blue suit and mask, while Robin is in his red and green outfit. A black cat is visible in the background.

Batman-this cat just came out of no-where…can we keep it

A man holding a black cat smiles while standing next to a woman with curly hair, who looks pleased; both are in a warmly decorated interior.

“See-Cats really do have 9 Lives”

A vintage black and white scene featuring iconic characters including Batman, Robin, Catwoman, and the Penguin in a playful standoff.
Stay Tuned-Same Bat Time, Same Bat Station

Written and Lived by…Donnie Norden

The Green Hornet Greets Batman

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A scene featuring a superhero duo performing a daring rescue on a building ledge, with a mysterious figure observing from a window.
Two masked characters peering out from a window, one wearing a black hat and the other a green hat, with a cityscape visible in the background.
Movie poster for 'The Way of the Dragon' featuring Bruce Lee, showcasing intense martial arts action and dramatic imagery.

August 14,1972 This filmed grossed 130 Million Dollars

Two shirtless men posing in a stylized setting, one in white martial arts pants and the other in black, with a historic background.

Mr. Chuck Norris gets a knee to the groin. Don’t shake hands with Kato…

A vintage movie poster featuring Bruce Lee, displaying the film titles in Italian and Chinese, with a background of a bare-chested Bruce Lee front and center.
A black and white image of a muscular man with short hair, posed in a martial arts stance, showcasing his defined physique.
A handwritten letter titled 'My Definite Chief Aim', featuring blue ink on off-white paper, expressing aspirations of becoming a highly paid actor and achieving world fame.
The Infamous Bruce Lee Manifesto…
A white, two-story residential building with a distinctive architectural style, featuring arched windows, a central entrance, and a tiled roof. The front yard includes greenery and a pathway leading to the entrance.
Upstairs in the 2nd story unit- lived Bruce Lee while playing Kato in the Green Hornet Series. Desilu, now Amazon Studios, is located behind the backyard of this home. I was riding by one afternoon not long ago, when I saw a couple moving in that unit upstairs. I had to stop and ask-“Do you know the history of this place ?” They said “No.” “Bruce Lee lived here in the mid 1960’s” I could barely contain myself as I stood inside in what was his living room. They sat stunned,- imagine your in a sacred zone, imagine worse- that you may have never known that without this Mysterious Minstrel who just happened to be passing by…
A black and white photo of a man holding two smiling children, standing outside a house with a staircase and a large bush in the background.
A narrow alleyway featuring two buildings with a staircase leading to an upper unit, flanked by hedges and a blue trash bin on the right side.

Back unit of this triplex-picture match-Bruce lived in the front building.

A man lying on a mat on the grass gazes up at another man, who is standing and preparing to drop a basketball towards him, in a black and white outdoor setting.

“Study Hard ” was how he greeted kids on their way to school on Van Buren Street in Culver City, where he lived while filming this T.V Series.

A black and white image of a muscular man standing in a garden, holding a stick with both hands. He is shirtless and wearing light-colored pants.
A black and white photo of a man in athletic wear demonstrating a martial arts move towards a woman, who is standing with a surprised expression. The background features a grassy area and wooden fence.
A scene depicting a martial arts duel, with one fighter in a yellow outfit performing a high kick above another fighter who is shirtless and positioned defensively.
“O.K- I’m warmed up- Bring it On ! “ says Lew Alcindor…. Like a Cobra strike, what style and grace.

Push play for Classic T.V – Remember this episode when the masks all met on a Bat Rope ?

When Crime Fighters Unite

The Green Hornet filmed in 1966-67, Produced by William Dozier, who also produced Batman. Van Williams starred as publisher Britt Reid and Bruce Lee as martial arts expert – Kato. A 26 episode ABC Series. This series was canceled after only 1 year. Batman was the craze in the mid -1960’s, this show suffered low ratings and was thought to be to serious compared to the wild, free flowing Batman series.

Batman had star power, big guest stars and many beautiful women. You wanted to be in the Batman craze, and the list of villains was brilliant. Every episode was fresh and colorful. The Green Hornet was dark, like those Batman features made when this series franchised into something bigger than life.

Batman screamed 1960’s- A cultural phenomenon. The reruns take you back to a time when making a hit series was flat out…Too Much Fun. The chemistry between Catwoman-Julie Newmar and Bruce Wayne’s character was very appealing. Call it – Dynamic, “Robin you can go home now, you have homework to do” says the mature crusader.

Born Julia Chalene Newmeyer, she was my favorite villain, a trained dancer of ballet and Spanish dance, you had to wonder if their was romance between these two…

A close-up of a woman dressed as Catwoman and a man dressed as Batman, lying against a building edge, with a view of a busy road below.
A woman dressed as a cat burglar wearing a black mask and shiny outfit, posing with a bag labeled '000' in front of a building.

Save Me -Batman!

Batman Canceled

Ratings started to decline and production cost went upwards. The skits became stale by the 3rd season and Yvonne Craig, BatGirl, was brought in to boost ratings. A very expensive show to produce with cutting edge color technology and high -profile guest villains who commanded large salaries.

Season 4 …Almost

NBC was interested in picking up this series ABC no longer wanted , but before the deal was finalized, in true Hollywood form, the expensive sets – including the BatCave-interior were demolished to clear space on the studio lot at 20th Century Fox. NBC backed out rather than pay hundreds of thousands of dollars to rebuild all of what was needed. This show became wildly successful once again in syndication, and future generations to this day often visit the BatCave exterior for nostalgic reference.

A black and white photograph of a sleek car positioned near a rocky cave entrance, suggesting a remote outdoor location.
Inside a cave looking out towards a bright opening at the end of a rocky tunnel. The ground is uneven and covered with dirt and small stones.

Written and Lived by…Donnie Norden

Tour Desilu with Batman

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Friday the 13th – My Lucky Number!

The Bat Cave Location: “The signal is coming from Culver City-Robin”– Bronson Cave, a must visit for T.V buffs.

“We have a problem at old Bioscope Studios …Robin, put on your safety boots, hooves are needed in that wild silent movie ranch.”

Main Lot on Ince Blvd, Stock Units is The Allen Warehouse. Set Walls get reused and stored inside.

Ince Blvd, Desilu Studio Entrances

Bioscope is a word used to describe early film projectors -silent films.“Villains hide inside these dilapidated buildings and False Fronts”…says Robin!

False Face is hiding somewhere in these false fronts…

No Trespassing Desilu Studios…“Gomer Pyle must be filming at Desilu / Paramount today Batman.” says an excited Caped Crusader.

“Keep an eye out in these False Fronts -Robin,” barks Batman.

“Is that the Rail Depot from Gone with the Wind Batman?”…”Indeed Robin, You know your Bioscope History I see” says the older crusader.

Base Camp for this episode with crew taking it all in. Batman’s Trailer – Gray -complete with a license plate for towing to locations, 3 back sliding windows and an air conditioner on the roof. Parked in area also used for Mayberry R.F.D. Sam’s Farm House is on the front side of trailer.

“They have fallen into my trap ” says this masked villain.

Showdown – Downtown Mayberry/Gotham City/Culver City!

“Batman How do you track him so well ?” says yellow cape to the purple cape. “Just follow the dust- Robin!” “He’s hiding in these False Fronts with his False Faces-Batman”

“THAT”S STALAG 13 BATMAN !”

“I SEE NOTHING !”

Has the Dynamic Duo been obliterated ? Or– was this an inflatable Batmobile? A False Car tricks a False Face.

“Can’t trick tricksters – False Face-Give up, escape is impossible “

Unless you got a motorcycle…

“Cut through these false fronts…it’s a short cut.”

Cut through here…This really does cut from Western Street to the Middle East Sets built for King of Kings in 1927.

“He could be hiding inside any of these old False Walls and fake props” yells The Boy Wonder

Up those stairs, I had a fort, decorated with props from Stalag 13.

A Devious Villain indeed…

Reinforcements-Chief O’Hara arrives to see a toasted Bat Car Frame. But wait, is that really Chief O’Hara ?

“What do we do now BATMAN?”

“Holy Mole Richardson Arc Lights Batman”… as old as Gotham City itself!

“Stretch this rope from Gone With the Wind across the road from the movie light to this tree -Robin.” “This backlot has more tricks up it’s sleeve than my utility belt!”-says a determined Batman.

“There is no where left to hide on this ranch False Face-Give yourself up!”

“False Batman – I can lose myself in the old west!”

“Rustlers ay-I’ll help you guys out”…says this lone Cowboy.

“Holy Horse Crap-this cowboy is False Face!”

Can’t fool Batman, especially at a saloon…

“You could help Robin ! “

When I took this photo in 1973, I was picturing this Batman episode filmed on this same spot… Batman Ambrosia never wears off.

One final toss-through a window no-less…

“Confounded Caped Crusader!”

Commissioner Gordon is right handed-yet he’s holding his handkerchief with his left hand- Batman suspects the Chief.

“Lucky the sheriff didn’t catch ya…he hangs criminals”

“One villain at a time” is how this haunted studio backlot operates, luckily law enforcement includes – Sheriff Taylor, Elliott Ness, Superman, and The Green Hornet.

The old west return to being refuge to neighboring kids who just happen to have a fort upstairs in this building. It even has a phone to that calls “Off Lot.” Visitors Welcome…

Conclusion:

Folks- this is the best episode ever using this backlot. Any series ever, this is Golden Age Hollywood stuff! Nowhere else will you see so much Desilu backlot.

This series screams-The Sixties…

It jumps of the screen, colors like comic book pages. It made you go buy a ” Color T.V,” The T.V revolution is in full force, every twisted turn in this episode winds through iconic television exterior sets. Never will you cut through buildings like this again, exactly as I used to operate here-.inside False Fronts. I stalked BATMAN, first on my Schwinn bicycle from outside the fences-looking in, wearing garments such as a cape and mask, bought with (a million- Blue Chip Stamps)...what a bargain.

Yes I saw the Caped Crusader, they sped by kicking up a trail of dust as I melted into the studio fence. Like a dream coming true-I had -Bat Goose Bumps as my heart fluttered. Little did I know in 1967, much more Batman was ahead for me.

My Bat Evolution

In the mid-Eighty’s, I worked on the first 3 features made by Warner Brothers using Universal’s backlot. Sure, these were super high budgeted features with villains such as Danny DeVito as the Penguin and Arnold Schwarzenegger as Mr. Freeze. Sets built both on stage and on the backlot made the original look like a kids imagination. These were more evil and ruthless, yet rich in flavor.

As the days and nights of filming took place, talking to the crew working this film, my past meets my future. I was the only person on this modern film version with the direct link to the past when Bruce Wayne was Adam West and every episode was two-parts must see T.V.

All Things BATMAN- June 13,1966 My 6th Birthday. The Caped Crusader was there on my T-Shirt I refused to take off., ever. Soon after this party, I would see the dynamic duo actually film a few segments in real life-Living Color. 60 years of Batmobiles, Capes, Masks and Villains – that’ s are so cool – you would like to meet each one personally, I never expected the candles to still be burning in 2026.

Written and Lived by…Donnie Norden

Big Old Jetliners

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Notice the bloody tree branch that killed the pilot.

“Pilot Error” ruled as cause of crash. Tree branch dislodged his cap and a section skull.

Inside-no passengers involved-more mystery

Falls Lake -Universal Backdrop film set. I actually forgot what set I was on here-I ask my audience for help. Does anyone recognize this plane wreck? After 35 years off non stop Universal Movie sets-this crash flew under my radar. I would love to match the show to the pictures I took here.

The tail piece beyond the cockpit/fuselage is a different film than this-both involve huge plane crashes.

Falls Lake snowed in.

Landing gear behind our fake forest set up. This usually has 7 to 10 feet of water here in the basin beneath the sky backdrop.

From this mysterious plane wreck to a more famous crash that because of great piloting, everyone on board walked away. “Sully” lands where others crashed before.

“Sully” recreation of The Hudson emergency, Universal Falls Lake Backdrop.

Plane interior at lake

A successful “saving grace aviation moment” captured at Universal Studios.

This plane died a movie star death for War of the Worlds…

Location-Victorville, Ca- same ANA Jumbo Jet being packed up for transport to Universal Studios Backlot.

Here is that plane on the set of War of the Worlds. A Paramount Blockbuster, directed by Steven Spielberg, starring Tom Cruise. It still sits as viewed here, a very popular Tram picture stop.

The street light remains on after the crash and the car alarm goes off when trams pass by.

“Welcome to….Los Angeles”

“Is there a doctor on board?”

A news copter view of this -Breaking News!

We fly back in time now….
The fictitious Columbia Airlines
Good luck with this plan…
This guy can fly…At this time in the early 70’s-Mr. Heston did 3 movies as a pilot. Airport, Midway, and Sky Jacked. If he’s your pilot, your in for a wild ride!

TRUST ME-I”M GOOD!

Screenshot

Pictured right-Director Jack Smite at work.

Success breeds sequels- “We are now boarding–Dean Martin is your Captain”
“I didn’t know this guy was our pilot-I saw him at the bar with some stewardess’s”
A Harbinger of things to come…

I did not realize – we did this Tour Show. I wish it was there when I started…I had my own airplanes I pretended to fly at MGM in this era.

The Captain left his Heineken bottle behind in a hasty exit with a group of stewardess’s…MGM

1970-Airport- 1

When I started my Universal career, I worked with guys who were on this film. Wind Machines, my department operates Ritter Fans used for special effects. We maintain and operate these and supply the necessary Direct Current needed for their operation. Effects would in this case toss snow flakes in front of the fan blades creating a blizzard. Fun stuff.

Key scenes were done in our huge parking lot located on Barham Blvd. A plane was stuck on a snow-covered runway.

This story paints the picture of what all took place. The studio parking lot was not the intended location. Conditions made it impossible to film at M.S.P. Back to Hollywood we go, the Art Department cleverly decided to utilize our huge parking lot. We can make snow, even in comfy temperatures. No pictures exist, I would have took some but this is before my employment.

But I was lucky enough to work with the guys who created the snow storms and shared stories with me.

2005 War of the Worlds

30 years after Airport 1975- Steven Spielberg creates a town that has a 747 crash into it, because we are at war with Extra -Terrestrials. Not the friendly kind like E.T, ones that don’t really like us- humanoids. To finish off a set just built specifically to appear ravaged by a 747 crash, all we needed now was a Big Old Jetliner.

Out of a scrapheap in Victorville, we found our star. A Boeing 747 S.R. A domestic wide body built for Japan. ANA painted its emblem on the sides and the initials stand for All Nippon Airways (ANA). The plane was bought for $60,000. Transporting it to the studio cost 3 times more and the logistics were difficult since-we really don’t have an AIRPORT-at this studio.

Using a helicopter, as well as a series of lorries that were escorted by police, it spiraled the cost upwards into the $ 200,000 thousand altitude. This set was only a 3-day shoot, critical in the film. On my Phantomofthebacklots -Youtube Channel, I have film of these scenes on my tutorial site. I highly recommend a visit to the behind the scenes making of this movie.

This crash never left, this Paramount film had the responsibility to strike this set located in between The Psycho House and The Greeting Center when visiting-Jurassic Park. Universal waved the “strike – phase” and accepted keeping this set up for the Studio Tour.

This is a fun story to read next time your waiting in an airport…

Written and Lived by…Donnie Norden

Film Universal- The Brochure

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All production services your company can possibly need can be fabricated, built, produced on this the biggest and most grand studio in Hollywood. We provide power sources, air conditioning, transportation rentals, lighting equipment and professional staff at every level including post production services. Your one stop shop for film service…Universal Studios.

Just behind this Neon sign are…Animal Actors-

Always on stand buy- when not starring in their own shows.

Our residential look-does not get as much action as Colonial Street. That street looks down to this one from a higher hill side.

House used in-To Kill a MockingBird. Real interior filming can take place inside this set. Rooms, doors, carpet greet you- furniture can be rented from our Property Department.

Ready to move in-yes indeed–we rent furnishings.

Yes we rent snow-earth, wind and fire.

No studio has more exterior sets and landscapes as Universal. Included is a water basin and sky backdrop. Any ocean needs- we provide wave makers, wind machines, boats, aquatic personnel, and every conceivable prop from the distant past to present day. From Pirate Ships to Fancy Yachts-Pyro technical often happens safely with our team of specialists at your beck and call. All for cost-rent us, you won’t regret the first class service.

Falls Lake- Backdrop, here dressed for Pirates of the Caribbean

Underwater, above water, film Universal. Only one backdrop water basin exists besides ours- Paramount has the other. This basin is currently being used in Jumangi, starring The Rock and Jack Black.A train set has been built in the basin-void of water for this film.

Do you need a bridge? We have the room, the backdrop for the Green Screen, and an expert metal shop.

Park Lake=This body of water separates for trams to experience-The Parting of the Red Sea.

Skull Island for King Kong

Skull Island/ Red Sea – miniature ship-promoting King Kong, the animation Universal replaced the burned up Kong with. No longer mechanical, it is virtual in the experience, This Studio Tour in the future will be roller coasters and virtual Fast and Furious virtual encounters.

The Backlot is so extensive, we have a set for anything you can possibly need. If we don’t- then we can build it. New York City is hard to film, but New York at Universal allows those technical difficult shots to easily be controlled and manipulated. Spiderman features come use this backlot for Spider Action involving the Spider Cam that runs on cables or zip lines creating P.O.V of the Super Hero perspective of creating and traversing a spider web network sensationalism.

A calm morning before “Bruce” the Shark awakens…Named after Steven Spielberg’s attorney.

Sharks for rent-dead or alive!

“I can fit into your budget, I’m one of the oldest stars left in Hollywood.”.

Cabot Cove is also…JAWS

Where the past, present, and future intertwine

From Leave it to Beaver to Back to the Future and a million shows in between-From small towns to large airplanes, we have a stage built just for these scenes-called the 747 Stage, it is located behind New York Street on our backlot. In Hone Alone 2- this is the plane the family split up on. New York Street was also used as Kevin outsmarts his potential captors….The Clocktower from Back to the Future sits above Courthouse Square to promote the film to our Tram Guests and top photo was called Rock Hudson Circle- tour guides joked “It’s Rock Hudson a circle because it goes both-ways.”.Joke went over well back in the day.

This generations- Dennis the Menace, Kevin McCallister boarding a prop designed to be an airplane interior.

Scenes done in our 747 Stage…located in the backlot behind New York Street.

Well, so much here, we have had 3 New York Streets in my career here. The original burned down destroying 21 picture cars like the one pictured here. The film titled “Oscar” and the sets along with these irreplaceable vintage cars. Directed by John Landis, starring Sylvester Stallone.

A production disaster…

Things happen around here but we are insured and bonded. But the cars ruined on Brownstone Street are irreplaceable. What survived-the 747 stage and Courthouse Square-top of frame-the square building right side ended up being torn down. Inside was Kong for the Glamour Tram Tour.

Get me out of here….Is this fire real or fake?

Big Apes -we got them also.

All this area burned in 1990-a year later-these several blocks were rebuilt and the Disney feature “NEWSIES”- a musical feature christened New York Street 2.

Disney’s film “Newsies” inaugurated New York Street 2 in a high budget Musical.

Alleyways available for rent.

We can light the lot in any style you need with our’ second to none’ Set Lighting department, always at your service. Pictured here -Spiderman left-Bruce Almighty right.

This car -will be launched into this delicatessen like a sling shot. You dream it, we make it happen.

The deli being prepared for a car to fly through it-not C.G.I-this is all real. Pictured right, the backside of this soon to be destroyed set. Spiderman ‘Sony’ comes to Universal for those hard to get shots.

We have a Fire Department on the lot to oversee all pyrotechnique activity-Do your explosive scenes here at Universal. Last blasts must “go off” or detonate before 10 P.M. A courtesy for our neighbors, you can film all night-minus gunfire.

The last western street in Hollywood was used a just that in -‘Once Upon a Time in Hollywood’

We can make you a cowboy in a matter of minutes...

The roads are paved under this dirt covered street. Trams visit the old west daily and dirt kicks up too much dust, the dirt is removed immediately after filming.

The last Western Street left standing these days in a major studio is…Universal Studios.

This two story building is located in the hub of 6 Points Texas. A legendary ghost town that links back to all the Universal westerns including the last western classic T.V series…Alias Smith and Jones..The bricks are rubber…why, for fight sequences. Cowboys could be slammed into the walls and soften the blows. Some doors are built smaller to make the cowboys seem larger than life.

Two men sitting on directors' chairs in a Western film set, with wooden buildings in the background.

Take it from Soup, this guy has lived it…

“Soup” is his name, he is an image etched on a wall just inside a door across from the saloon used in Once Upon a Time in Hollywood. This art dates far back in Universal History, truly-Once Upon a Time is this backlot, especially this street.

When the old west is needed, there is only one backlot left to flip the bill…Universal Studios.

The old west-Once Upon a Time at Universal. Pete Duel and Ben Murphy are legendary in these parts…

Alias Smith and Jones-my favorite T.V western series, based off the success of Butch Cassidy and the Sundance Kid.

The train, the depot, and the tracks- no longer exist.

No studio can still provide a Wagon Train like Universal can.

Denver Street- No longer rentable – this street has been removed.

This area often gets rented out since traveling to Europe gets expensive, Set dressing, cars, and signs can all be rented here. You supply the actors, we can rent you the costumes. Your one stop film shop.

Rome used to be available for rent. Large Parties took place here with top chefs Since removed for multiple Stage’s with A.I capabilities.

This fountain is still available for rent- used in our Monster Movie History in this-Court of Miracles

The Hump on Quasimodo is a prop. Bud Westmore and Edith Head can make a a new man, an old man or just….A frightening monster.

Spooky-is our middle name…

Edith Head going over outfits as Bud Westmore prepare this Black Lagoon Creature.

Be careful with the cup holders, they really grab hold.

Anything you need-we have…

Yes, we have thousands of paintings-“Tonight’s tale steps out of the painting and take place here…at Universal.“
Screenshot
Screenshot
Amazing Stories take place here
Looks like my childhood!

State of the art-Post Production.

There is not one picture in this brochure that I haven’t worked on, in, or around including these dubbing stages and Foley rooms. I worked on the wall lighting and floor monuments “power” in this stage located by Stage 12.

This is not an ice rink – it is part of Universal’s newest stages…

The only thing lacking is -The History.

Welcome to my former haunting grounds…

Universal Studios is cut into divisions, facilities, production, first responders, tours, operations and every technical department you can think off, We work like a well oiled machine involving several moving parts. No job is too big or to small. Founded as Universal Pictures by Carl Lemmele, We would later be M.C.A -Music Corporation of America. Our T.V Division was titled Revue Studios and movie mogul Lew Wasserman was our leader and resided on the Top Floor of the infamous -Black Tower.

The stories from this lot are often handed down from the generations of employees that worked here and lived them. Everyone has memories of actors, films, shows, and just everyday going -ons that take place inside this city. A top employer, the surrounding city of North Hollywood and Burbank were developed around our city affectionately know as Universal City.

Tours started in 1964 and continue today, I was part of that for almost 5 years before taking on an apprenticeship and 4 years later becoming all things electric is a workplace that craves power. You can never have enough, especially in summertime when the demand is crucial. Shows call non stop for more power needs on hundred degree days especially. Production power from shooting stations dating back to the 1920’s and 1930’s cannot keep up with today’s demands and mobile power is often required. Generators fill the bill when our old system gets taxed.

Westinghouse Mobile Generators were strategically position in every town on the backlot to provide current. D.C -Direct current is produced. A.C- Alternating-Current is augmented with our old D.C to fill amperage needs that shows require. Advances in lighting no longer require D.C as the industry modernized.

I did not realize I was working in an environment that would no longer keep on -keeping on!

I was in the old days, the tail end of movie making. We had everything you could need. A mill to build any set-interior or exterior. A metal shop, of course electric, plumbing, transportation, a fire department -Squad 51- named from Emergency T.V series, is tour fire department.

Located on the lot, this department oversees pyro effects and the permits have to be pulled for burning or exploding scenes period. One tiny flaming ember can light this wooden backlot up like Gone with the Wind. I lived two of the biggest fires ever to take place on the lot.

Location scouts contact me on scouts for tech needs on the shows looking to rent our lot. Rentals turn a tidy profit as you can see in the brochure. The one set I always heard from scouts that they wish we had was ‘mini malls.’ They are hard to lock down for location filming- often needing to negotiate and compensate several business’s, where at Universal you just deal with us. Surprisingly, this simple mall type set as never built. Steven Spielberg was consulted as a visionary for our 3rd New York Street, at the time we ere owned by General Electric. He requested a waterfront, harbor set to be built behind New York Street- but the powers to be did not want more studio.

A drift of what future is ahead- real estate development was proposed and a complete backlot tear down was on the plans-widen Barham Blvd for traffic was being evaluated. This was a go- until the Seagrams liquid spirit company bought us. From the Grinch Company General Electric, who didn’t even decorate for Christmas, to an alcohol empire that threw the best ever Christmas parties ever.

The entire backlot was a themed event, snow rides were provided to sled on, horse rides, music, strolling entertainment. Bring 6 guests on top of it. Western Bar -B Q and Whiskey drinks lined the old west. Animals were brought in for children to pet, a Ferris wheel was set up on New York Street.

Seagrams knows how to throw a party, they threw two of these swashbuckling Christmas events before leaving with our Universal Music catalog and disbanding plans to build The Seagrams World Headquarters behind Stage 12. I saw the plans and this studio survived a General Electric alternate ending.

NBC Comcast rescued this studio and designed a plan for all incumbents. A Theme Park, A City Walk, Production Facilities and keeping alive the spirit….somewhat. Negatives happen in big business, removing the Phantom of the Opera- Stage 28 was a mistake, that’s the most prized stage ever built. Certainly we could have made it the tour museum of all things…MONSTERS.

A plan is underway to remove all the original stages used in the %0’s and 60’s T.V series such as Leave it to Beaver, The Munsters, Dragnet, McHale’s Navy, and long running Coach T.V series. The Make Up rooms adjacent to the stages played home to –The Beatles in 1965. The Band was rejected by hotels because of the potential for being overrun, so Lew Wasserman put them up inside this area of the studio.

Epilogue :

Time line fact-Since many moons has passed by since this brochure was handed out to Location Managers in the industry, massive changes have happened and are still underway. Many sets and stages have been removed, new tech stages have been built. More significant stages are on the path of being destroyed, an entire quadrant of our oldest T.V Series-“Revue Studios” in credits.Theme park expansion is what this area will become-The Mario Brothers will replace The Beavers, The Munsters, McHale’s Navy, Dragnet, etc,etc.

Most recent, the Barn on Western Street, know as 6 Points, Texas, has been demolished. If you ever rode in a Tram, you have driven down these same streets.The Barn, also known as Stage One, was raised. sadly, this landmark existed before this property was owned by Universal Pictures. The centermost backlot set, used on Carl Laemmle’s Box Lunch films. Uncle Carl filmed in the “open air,” allowing visitors onto his sets.

A Grandstand was set up to watch the slow process of movies being made, so included was a box lunch. This is the true origin of Universal Pictures and the legend of Universal Tours in the year- 1909.

Once Upon a Time in Hollywood…All this took place!

Written and Lived by….Donnie Norden

Red Dawn 1983-MGM

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The Wolverines

Base Camp…New Mexico

1-3 -84 Happy New Year!

This scene was “cut out” because of a shooting ‘murder” at this establishment.



Also appearing in Grandview ,U.S.A. Same year. This role on Red Dawn helped propel Patrick to Stardom.

Actor and stuntman George Fisher

Patrick Swayze, C.Thomas Howell, and Charlie Sheen ready to take on the Soviet Invaders.

The part a KGB Major, George Fisher leads his invading forces against -The Wolverines.

Rick Waite, Emmy Award winning cinematographer, responsible for the films overall look.

“Mock up’s” –Aerospatiale S.A 330 Pumas – designed to resemble Soviet Style “Hind -A ” gunships.

Three fine “set electricians” on the way to the bank. Paul Vaskay, and Joe Vinetz, proudly wearing his MGM sweatshirt.

Let there be snow…

These mocked up choppers would later be used in Rambo 3

Universal had a hit helicopter series at this time titled-AirWolf – 1984-1987.

Chapman Camera Crane puts the camera where it needs to be.

Camera Copter

Another “Mock up” Armored vehicle undercarriage mainly from M41 tanks-and fabrication recreated a T-72 Russian Tanks.

Always potential hazards, both seen and unseen, exist in any scene flying in proximity to crew below.

Farewell Comrade-until a sequel is made…

A Cult Classic and one of the last films done by MGM before all the restructuring with Lorimar and United Artists...

The Russian Equipment needed was fabricated, yet highly realistic to resemble Soviet T-72 tanks. Constructed on a cargo and Walker Bull Dog chassis’s. Fiberglass turrets and aluminum guns. built by MGM’s production team. A job so well done, these tanks were repurposed for other war films to follow.

The plot...

The film portrays a fictional surprise Soviet Invasion of the U.S stemming from instability in the Soviet Union and a poor food harvest. Soviet soldiers invade a small Colorado town, prompting brothers Jed and Matt Eckert to escape with friends into the forest.Their dad was captured by the invaders so the children fight back against his captors-the Soviets.As the country comes under increased attacks, the group teams up with Lt. Colonel Andrew Tanner to take back their town.

Originally titled “Ten Soldiers,” this film had a modest budget. Producer Barry Beckerman saw something in this story written by Kevin Reynolds. Kevin wanted to direct it but the producers wanted Walter Hill to direct it, but like a few other directors, they turned it down.

The Beckerman’s father /son team pitched the project to David Begelman at MGM. Although turned down, it was considered an anti-war film the sort of “Lord of the Flies.” The film chances increased when Kevin Reynolds became mentored by Steven Spielberg-who helped him make “Fandango,”:the script was finally purchased by MGM.

John Milius was signed on to direct and the top brass at MGM decided against a poignant antiwar movie and twisted it into a war movie…The style of “Rambo.” Mr. Milius loves war movies. MGM Board of Directors included General Alexander Haig, the former Nixon Chief of staff, who yearned to personally supervise production.

Most the staff did not want John to direct and lead an effort to have the writer, Kevin to direct it. and hoped Steven Spielberg could put this subject to bed with his recommendation. That did not happen, “Fandango,” their previous project, was not shaping up as expected during the editing, prompting Steven not to cast a vote in favor of sealing in Mr. Reynolds. John was signed to direct for 1.5 million dollars.

Milllius began a rewriting the script based off Hitler’s proposed plans to invade the U.S. Haig took John to The Hudson Institute, a conservative “think tank’ for a plausible scenario. The director and Mr. Haig had differing vision than the director, but Haig controlled the money and the budget jumped from 6 million to 18 million dollars.

Director John saw this as an anti-war film, if Americans, see what war might look like on its own soil. Production pushed this film faster than the director preferred because MGM wanted this ready for a summer release. The director wanted more time to prep including devising futuristic weaponry.

The Department of Defense agreed to provide assistance to this film, an interesting subject itself. But director J.Millius failed to cooperate deciding doing so would drive up costs. Robert Blake was first option to star by John, but was overruled and Powers Boothe was selected.

One scene was cut involving Jennifer Grey and Patrick Swayze. A sex scene, Patrick was drunk and messed up his lines while filming, while I was “Jennifer Grey” high on marijuana so it got cut out, according to Ms. Grey. Her negative interaction made her anxious to work with Patrick Swayze again but, never say never, and the two delivered a happy ending in “Dirty Dancing.”

Locations…

New Mexico and Las Vegas. The Fred Harvey Company, next to a train depot was repainted Calumet, Colorado.” An old Safeway grocery store was converted to a sound stage and used to film several scenes. The McDonald’s restaurant scene was cut out do to a shooting right before the film release at that restaurant.

In a real world nod to this movie “‘Wolverines” graffiti was spotted on destroyed Russian armor during the 2022 Ukraine invasion. Final costs totaled 17 million dollars returning 38 million dollars back.

Written and Lived by….Donnie Norden.

“Horsing Around” in the Desilu backlot…

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Our escapade today takes us through the upper sections of this aerial view. We will enter from the Ballona Creek and mosey over to the barn. No map. Donnie is my personal tour guide…

The perfect setting for a little “horsing around. ” Trespassing picture at the Columbia Ranch. Fancier than the Desilu barn…

Got to keep those trespassers out of here…

Others have been here before us… Hogan’s Heroes “How to Catch a Papa Bear” 1968

Bonanza “The False Witness” 1967.

Time Tunnel “Billy the Kid”, 1967

A bit intimidating… (photo courtesy Bison Archives)

We’re not the only ones intimidated by dogs! Hogan’s Heroes “Is There a Doctor in the House?” 1968

Hay there!

Well, the door is open… This old barn was moved here from its original location to make room for the Quonset Huts for Gomer Pyle U.S.M.C.  It made an appearance in the first season of Mayberry R.F.D. but the series would construct a newer barn for subsequent episodes.

Courtesy of Retroweb 40 Acres. In The Holden’s Lassie episode “Horsenappers” circa 1973, both this barn and “our barn” are featured.

Always open…

A girl a guy and a pile of hay… Watch what you wish for!

Artificial Intelligence-A.I- created this concept for this factual event. This is the NEW HOLLYWOOD! Click on photo for 10 seconds of recreation.

A romantic touch – some Fine cultured reading indeed. 40 cents CHEAP!

“It’s just the normal noises in here Lassie!“

“The Real McCoys” Yee haw!

In honor of February 14th, Maureen’s account of our date on the Desilu backlot. Happy Valentine’s Day Everybody!

Summer 1974 —

“Children, behave”
That’s what they say when we’re together

– Tommy James & The Shondells

It’s 6PM and still warm outside. I told my mom I was going out with Donnie and that the movie lets out at 10:30pm. Both are true, I just didn’t mention that we’re not really going to the movies.

We make the trek across town to Desilu, I am pretty excited. Donnie has brought a knapsack this time and I’m so curious about what’s inside. The best entrance is from the creek and Donnie warns me there are attack dogs inside so be extra quiet at all times. This makes my legs a little wobbly.    

Donnie shows me where Gomer Pyle’s barracks are located next to where the Hogan’s Heroes set was. We climb up the ladder of a guard tower. “What’s in the knapsack?” I ask. “Not yet,” he replies, “Hold your horses.”   

We continue to explore. The sun doesn’t set until after 8:00 on these summer nights, but it is getting dark now, a reminder that time is ticking. Donnie opens the doors to a barn! I stand in shock It’s a replica of a setting that I told him about from a dime store romance novel I had read. Both of my sisters also burned through this romantasy after I was finished with it.  Hot fun in the summertime.

I am overwhelmed. Down to the last detail. A barn, a pile of hay… how romantic, how thought out and sweet. All this for me? But my wave of giddiness is now being replaced with the feeling that I am walking straight into a lion’s den. Legs wobbly again.

So, now, what is in the knapsack? A small blanket, two lukewarm cans of Bud tall beers, that he swears will not be noticed missing from his dad’s collection, a flashlight, and the newest issue of Mad magazine (our favorite.) We are reading by flashlight. We put the blanket over our heads so that no guards, who may happen by, can see the light. There’s nothing more romantic than reading “Spy vs. Spy” by flashlight. Donnie turns the flashlight out. Our chemistry is dangerous and it’s hard to control. This complicates things, I think. I remind Donnie of my strict curfew. We still have to trek across town to make it home by 10:30. “Wake up little Susie!”  

Donnie says he needs a minute to cool down before we run across town, secretly, I do too. Whoa Nelly!  At my front steps we usually share an awkward good night kiss, but tonight our kiss conjures up all the naughty feelings inside us, all over again. He pulls the last strands of hay from my hair.  

Tonight, I will revel in a romantic memory. Tomorrow, I will do my best to steer clear of the barn.

Written and lived by Maureen Miller on a night out with…Donnie Norden

MGM/Lorimar-Dallas TV Series

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J.R. Ewing played by Mr. Larry Hagman

Bobby Ewing played by Patrick Duffy

Sue Ellen played by Linda Gray

Pam Ewing played by Victoria Principal

Miss Ellie Ewing, The matriarch of the Family, mother of J.R, Gary, and Bobby Ewing, played by Barbra Bell, replaced briefly by Donna Reed due to health issues, she recovered to return back to…The ranch.

Ray Krebbs played by Steve Kanaly

Donna Krebbs, played by Susan Howard

Jock Ewing played by Jim Davis

Lucy Ewing played by Charlene Tilton

What a cast…That’s the menu of meat and potatoes that fed this hit television series from 1978 to to 1991

I get by with a little help from my friends for this tale on this iconic series, Lets dive in the Norfolk pool…

A friend of mine named Paul Vakay was the Best Boy for Set Lighting Department on this top Rated T.V Series that ran from April, 1978 through May,1991. Paul’s Dad ran the MGM Set Lighting department. in the 50’s, 60’s and into the 70’s. This job is best learned from the ground up, so before you become a lamp operator or Best Boy in the era of Arc lights. A show Best Boy over sees all things Electric. Set Lighting starts with Rigging sets with heavy cable that is necessary to distribute the power where lighting will be taking place.

The Best Boy is a very important puzzle piece. He is the “go to guy” for all things lighting on any set. The term itself is a spin off over time when department heads would request from other crews there best and most capable “Chief assistant” to fulfill needs by the department head. Second in command to the “Gaffer” and work with “juicers” to fulfill electrical demands. I “Donnie” was a “Juicer” that made sets “Hot”at Universal. Each show’s Best Boy on our lot in my Universal career had my “pager number” for emergencies or other electrical needs. Sometimes I worked with 10 Best Boys a day in several capacities. Generators Operators, Special Effects, Transportation, all have large electrical needs. The power is delivered from a building with huge generators located The Power House. This facility pumps the juice, D.C “Direct Current” juice, which in the day was the power standard.

An example of a Powerhouse and every studio had one of these in the day.-at Universal, we had 7 2000 amp D.C -Westinghouse generators feeding D.C to every stage. Best Boys contact the 40 shop “juicer” to throw in the switches to energize the stage they are working in. Our Universal Powerhouse has been used in Vintage- Horror movies as a laboratory because of all the classic- real switches and meters- throw in a switch, if polarity is correct- The Monster will – “Come Alive.”

Tunnels and conduits run to every stage on the lot below each stage. The bowel’s of the studio is where electricity spreads its tentacles to shows in need. Many Powerhouse operators ended up with Leukemia, no thanks to magnetic fields which get created in these cement cellars. Asbestos, a strong carcinogenic, insulates cables. It took decades to realize all the negative effects working in and around this environment. The Golden Age of Hollywood came with side effects.

A.C “alternating current” has replaced D.C. A very expensive option but lights flicker on A.C, unsuspecting by the Naked Eye, but jumps out when film gets processed. This is a technical business where lots can go wrong. Remember, power is invisible, odorless, and always ready to strike. More electricians die annually than police officers get killed in that line of work. I salute those who master this world of movie set power.

“Bull Cans” are on most every stage wall and provide power to the copper inside these 50 ft. one hundred pound cables that tie into spider boxes by connect cable lugs to buss bars. Often, the cable goes up to the top off the perms or catwalks that exist above the stage and over look each set and every room on whatever set is below you. This is…set lighting country-don’t be afraid of heights in this career.

Generators replace Bull Cans on exterior and location work. My job as a Local 40 ‘juicer” was to make sure power sources were available to breath life into the cables after all the rigging is complete. We usually pre-light with the “gaffer” who knows just what ambiance or light effects are needed. This way when the stars arrive and camera get set up we are ready to roll.

This is a well oiled and polished machine, no department wants to hold up shooting so this job is all about prepping. On cue, when everything is tied in…the juicer will say ‘Coming Hot”-magically the set comes to life. Amperage is now flowing through cable like blood flows inside your body, it’s the life source. Heat rises and these perms get extremely warm. Lighting throws off heat, a summer day- up high- with the set totally lit creates more problems, make up on actors may melt and make acting uncomfortable or impossible.

Another responsibility I had on sets is Hooking up 30 ton Air Handlers, the more lighting, the air needed. I was a very popular guy on hot days. A lot of work and cable goes into installing portable air. Grips, Set Lighting, and Special Effects are the departments that you find up high in places raccoons like to hide out!

Welcome to Hollywood

So enough tech mumbo jumbo, we are ready to film….

On the Dallas set, the company had 4 stages committed to them on this very busy Lorimar, formerly MGM, main lot known as Lot 1. Dallas is the Top Dog on this lot as the 80’s arrive. CHiPS, Little House on the Prairie, Flamingo Road, Fame are also clients in need of stages. The lot formerly know as MGM is in transition like a subsidiary of Warner Brothers. That studio is known at this time as The Burbank Studios, the T.V Division was booming and one home was not enough, but MGM is now available for occupying first class film making facilities.

The former MGM Lot was a busy as any time in its history. Rigging crews work 3 shifts round the clock-rigging and striking. This cable only stays put on sets that are continuously used. Dallas had 4 stages with rigging left in place.

My friend Paul from Local 728 became a lamp operator on this series after training – rigging these stages and sets. Paul, formerly a baseball star at Pepperdine up by Malibu, his dream was not ‘Rigging,” it was baseball. He could pitch a mean game until he tore his rotator cuff, where pitching careers usually end. Now Paul falls back on his father, the Department Head. Paul works his way onto this series and his life changes dramatically. Not only is he on the top rated series, actresses take notice of this fine looking surfer/ lamp operator.

Ted Turner bought MGM in 1986 and sold it to Lorimar, who already had a foothold on the property. Dallas had 4 continuous Stages, 5,18,19 and 23. Knotts Landing also had 4 Stages at MGM as the Lorimar impact began to dominate the studio landscape.

Stage 5 housed the Oil Baron’s Club and various “swing sets.” Side story here is- passing the dressing rooms between the 4 Stages clumped together, the smell of marijuana often filled the air. Drugs, especially weed and coke twisted its snake like head not only with cast but crew also. The industry at this time was like Woodstock, with out the war going on anymore. Big money and fast times is how this industry rolled in the 70’s and 80’s.

I can tell you first hand the same environment was taking place at Universal on all your favorite series. The Hulk, The Bionic Woman, Airwolf, Cheech and Chong and the Blues Brothers could party with the best of them, different time in space in that era. I don’t want to personalize who did what, things happened like this inside any gate at every studio. I digress…

Stage 18 was the Ewings living room, there was also an attached dining room and this stage and Stage 19 had sliding doors and two stages could become one stage inside, this offers versatility.

Stage 19 had “swing sets”, sets that fit an episode but are not permanent. It was on Stage 19 Paul, the source for this remembrance we are sharing, met his first wife while on top of a ladder outside the living room set when a spark would later ignite a relationship/marriage. While on location in Texas, Paul’s eventual first wife would stand-in for her mother while on summer break from college. She would later meet Paul at Culver City. Stage 19’s sets constantly changed to introduce new cast members, love interests or simple office sets, Susan Howard, who played Donna Krebs-“Ray Krebs wife was the mother of Paul’s first wife. Pretty cool how they met.

Stage 23-The Ewing’s back yard, based of this actual location in Norfolk,Texas. That yard on location was dominated by a swimming pool. This was a difficult task to match the real location to the stage version, matching the daytime lighting on this summer location to that of the stage mock up. Most backyard scenes were on Stage 23. Location provides ‘establishing shots” cleverly edited to match Culver City’s sets.

This describes how the MGM Lot and Lorimar Pictures blended together.When the studio operated as MGM, before the purchase, Lorimar rented everything from stages to cable from MGM. Lorimar kept MGM afloat through payment on rentals. Lorimar was going bigger and bigger, how high can they fly. The answer is….they bought the studio. My old MGM Sign and Leo the Lion overlooking the studio and city was replaced by Lorimar Telepictures, A thriving upstart company replaces the most legendary first class film lot in American History. MGM fades to black just like the backlots that preceded this evolution. T.V is King!

This show became so big, the cast was recognized wherever they went. Most actors just dealt with it, the trade off of being a star and all the fame, success and money that follow you. Larry Hagman had a bodyguard named Tim, who was also a stand in on this series. Between the actors salaries and the residuals, money rained down like Pennies from Heaven…

That show was done at MGM in 1981, starring Steve Martin, as this series was being filmed. CBS was the network this series aired on. The number 7 actor on this series in those days was making 35 k an episode folks. You couldn’t watch a football game on CBS without “What’s next on Dallas.” Usually during a Dallas Cowboy football game. Our country relaxed with –All things Dallas!

Larry Hagman lived in Malibu and came to work in a two seat Mercedes coupe. often enjoyed a drink on set, or across the street from Lorimar at the legendary Backstage Bar. Larry had his own Red Booth vinyl seating corner in this legendary bar. The stars of Combat drank here-at wrap, before going home -7 shot glasses greeted the cast after playing Army all day. A legendary dark dive bar across the street from MGM’s South gate.

This hit show became a machine, like a Ferrari, Today, the shiny show that dominated television on the most wanted, hard to have success- Friday Night Prime Time Network has been relegated to reruns. I’m surprised it isn’t more popular today. Kinda hard to locate on television today. The Waltons still dominate the rerun world, but all those other T.B.S Lorimar series remain stored in film cans, like a genie returning to its bottle. Things went so smoothly on this set that often shooting was finished by lunch time, and prep started immediately for the next day. They stayed a head of the curve, that is the key to success, don’t get bogged down. be professional, you know what’s needed, Do It.

Success follows hard work…this show is an example as all the departments come together to create memories that will be ever captured on film. There are just as many fantastic stories behind the scenes as what you see on your T.V….

A list of Directors includes the stars itself.

Lorimar could not pay stars more money so being a Director became a perk. Patrick was a natural, Larry was shrewd, always asking the camera operator what the shot would and should look like. The camera operator and set up continuity, absolutely essential to film. Just ask Thomas Ince.

Written and lived by….Donnie Norden “with a little help from his friends, Thank you Paul for your insight and detailed memories.