Hollywood Forever

GWTW used Marion Davies’ trailer. Scarlett refers to the compound I discovered on Lucerne Avenue in Culver City as “Tara Next Door.” Quote “If you need me I’ll be at Tara Next Door!” Make up done for Vivien Leigh was done right behind The Tara Plantation. At the time GWTW was being filmed, Marion Davies, Clara Bow, The Little Rascals, and Fay Wray all connect to this tiny little Trailer. The first ever mobile star studded Make Up Trailer in Hollywood.

Follow the Yellow Brick Road-Judy Garland is also laid to rest here.

Across from this opulent crypt his a simple stone grave in a fancy location.

We shared a Make up trailer, a Movie Compound, and now are neighbors forever…A camera from 1933, on display at the Culver City Historical Society, was discovered in Marions’ trailer. In 1933-Marion had a new trailer. This original trailer location was a sling shot away from Skull Island and King Kong’s massive walls. Fay Wray had her make up done in this trailer, hence the camera. Continuity of make up…funny how things play out over time.

Marion Davies’ Make -Up trailer would be used by Fay Wray in 1933 for King Kong. Now they share the same cemetery, very close proximity.

Legendary Director Tony Scott, here directing Brigitte Nielsen in Beverly Hills Cop II is located at this plot. Expand and you will see his name in granite at the top, with his list of shows also carved in below his etched name. Victor, the gentleman pictured on the right, worked with Tony and still does for Ridley Scott. I have met both of these legends. Blade Runner is an all time favorite. 90 nights was the schedule for Blade Runner. Mostly all at Warner Brothers and many on New York Street. One of my all time favorite films. I was told that the affair Tony Scott had with Brigitte ended his marriage and Sylvester Stallone’s.

I was on that set-pictured here with our female star. Turmoil began here with the Scott family.

My Third Book is finally completed. An anthology of the decade of the 70’s ‘Trespassing Adventures on all of Hollywood’s Backlots’

Pictures on covers: John Ritter rescuing a kid from a burning building in the last MGM Feature ever done on their historic backlot. Hero at Large 1979. A special thanks to the legendary Marc Wanamaker for his fine words. The Front Cover is picture I also took in 1977. Behind the Fireworks-in a Hot Air Balloon is Peter Frampton and The Bee Gees sailing above the MGM Backlot. They had to duck for cover and this scene was replaced by CGI cheesy replacement.

This is a must see color experience, you won’t be disappointed. I’m not trying to sell you a used car like Cal Worthington does, fact is my diary just kept getting better. I took more pictures of MGM than anyone ever. This color book presents my personal photos on every film set used by MGM in this era.

Included are never seen before tear down photos in 1980. This book will make you laugh, and make you cry. Some stories will scare you but you will come away wanting more, after you catch your breath anyway. The final chases and events at MGM are inside these magical covers…enough said… Roll Film!

We begin today’s adventure mingling through grave sights and tombstones from the distant past. In this haunted landscape-I appear…

The date, June, Friday the 13th, 2025. It could just as well be 1925, clocks aren’t needed here, the sands of time are just… Blowing in the Wind.

I discovered my Hole in the Fence at MGM’s legendary backlot 2. The first set I saw was a cemetery. My friend Jimmy and I were frightened. We hid behind tombstones. We even hid alongside a coffin with weeds growing out of it. Ironically, my studio life began in a cemetery. A big fancy studio stood beyond, like what is in front of me today.

I immediately cross paths with Paramount Security guards right off the bat…”How is that, why are they here?” I ask my dog. I approach a gentleman with the badge and Paramount baseball cap. I ask why he is stationed here? Stonework surrounds us with names and beginning and end dates chiseled on the surface… Eternity begins here.

His response was the Paramount lot is so busy that overflow parking is taking place in this cemetery. Satisfied with his response, I asked “do you know where Marion Davies‘ grave is?”

No one that works here could direct me and neither can Paramount security. However, I was informed that question gets asked frequently. I have my suspicion because of the Italian architecture. It has a flare of the Randolph Hearst. I’ve found it. It’s fancy as expected.

It’s not a crypt -it’s a condo.

I’ve seen this movie before. Marion plays hard to get, except for me. It could be 1972, when I first visited here. It could even be 1899 when these pearly metal gates first opened.

Just me and my hunting dog on a hazy sunny summer afternoon. We see tomb after tomb of movie legends. I have met many of them. Very surreal, yet pleasant. We all have to checkout and what better place than backside a movie studio.

My dog and I sit in the shade under a tree as the sun gets reflected in patterns. I’ve found tranquility. The grave that happens to be next to me says- June 13, my birthday. Inviting me inside, “I’m not ready, Thank you.” The Paramount Studio fortress overlooks this graveyard. My dog’s ears rise a bit crooked as we hear conversations on the studio side of this graveyard. Past, present, one doesn’t know...just voices.

The graves closest to the backlot are as old as the studio. I’ve been here several times before. I never came to star search. I was looking for a way in Paramount Studios. After all, I am the Phantom. But that never happened, it’s impossible or should I say Mission Impossible…Yes, that show was made on the other side of this blockade. It’s built like a prison. The walls are insurmountable and several stories high. The perfect design to prevent trespassing. I remained in denial. I went back and forth, seeing if I missed any way to get in. I don’t need much but…

I was given a tour by my friend Tim in 1974 who was often in the television series Happy Days. Then, in the 80’s, I got a driver job on the film 48 Hours with Nick Nolte and Eddie Murphy. I drove a San Francisco trolley from the Paramount lot to downtown L.A. It was supposed to be San Francisco. I have very little history here at this studio but certainly not for lack of trying.

In 1976, MGM became Paramount. Dino De Laurentiis took over Louis B. Mayer’s office and the work force was all things Paramount Pictures. Kong was too big to be contained at this tiny facility. I experienced Paramount under the grandeur that was MGM.

Memories cloak their selves with silence. Dead Men Tell No Tales around these parts. Silence is as powerful a tool as a jackhammer. Become in touch with frequencies and dimensions, they are everywhere, invisible, like electricity…soak it all in or you may miss a key road marker.

My googling leads me from Cecil B. DeMille and his family, past Don Adams tomb to Burt Reynolds. I visit each grave, and find myself connected here, almost eerily. I met these recent additions to Hollywood Forever on studio backlots. Hooper – I talked to him about stunts in real life. I also discussed them with Hal Needham. This happened while filming chariot races around the High Noon western street on the Columbia Ranch. Burt was wearing a cowboy hat that day, as he is now and for eternity.

I circle him in respect, I had no idea he was here. Close by, Don Adams’ grave is a tribute to Maxwell Smart. He is saying “Farewell” in his shoe phone. Heaven needed a good comic actor and took Agent 86 from us. I gave him a tour once at Universal. At the Flash Flood, the water jumped the retaining wall. It soaked my shoes as we all watched 10,000 gallons of recycled water reach its catch basin. Other than the 5 gallons that hit my floor pedals. My shoes got drenched. In all his wit, Don Adams, in Maxwell Smart’s voice, says, “I ruin more shoe phones that way!”

Here he is today, his gravestone forever will portray him calling the chief from his shoe. I love this guy. That series was shot close by at Sunset Bronson for four years prior to CBS. He belongs here-forever placing that call to CONTROL.

As I pass Tyrone Power, I’m suspicious of a crypt next to Mr. Power’s simple residence. The name doesn’t match, I carry on yet hear a ghost whisper… I’m drawn to this crypt like a magnet-very similar to the mysterious make up room of hers I discovered. Personal items belonging to her from as far back as the silent days. The truth is this 100-year-old horse drawn Make-up trailer would deteriorate quickly. It could become like a rotted old garden shed in just a blink of an eye. Marion’s spectacular room and all its movie history would disappear, as if it never existed. That was the fate until it called out to me, begging to be rescued. I discovered a photo that confirms who this was built for… A needle in a haystack possibility suddenly turned to 24k gold.

If that isn’t enough, it continued as a featured Make-up station for two of the biggest films ever made. These films were King Kong, released in 1933, and Gone With the Wind. Yes, the mirrors in this trailer are like the paintings Rod Serling stands in front of in Night Gallery. Laced with intrigue, you’re looking back to flapper days.

Mirrors are portals, and you feel her presence. Her original room continued to light up stars’ faces. This happened even after she moved to MGM in a new, fancier trailer. The same power that pulled me into the trailer was now magnetically tugging at me in this graveyard. Finally, after a short visit with Mickey Rooney I find the electronic clue to Ms. Marion. I leave Mickey after telling his nameplate, “I had a cool fort Mickey. It was in your Andy Hardy house in the 70’s. I grew up at MGM too…see ya Mickey”

Back to where I heard those ghost whispers- yes it’s Marion. Another obvious clue is the simple grave alongside. Charlie Chaplin’s mother, Hannah. Marion’s best friend, is buried alongside her there. His mom is located next to Marion’s crypt. Her death long preceded the building of Dorvas family crypt, meaning Marion specifically built hers alongside Ms. Chaplin. Charlie never made it, his grave in Switzerland was ransacked and he was held for ransom. How many dead people can claim a ransom, it’s usually reserved for the living. That’s immense Star Power.

Now that I’m in Marion’s resting place, I show respect and thank her for sharing this most amazing Hollywood relics still useable. I’m sure that’s the reason her spirit connected with mine, to preserve what’s left of this fabulous piece of history. My thoughts and exchanges with this legend are reciprocated through telepathy. We do this at my house too. My office- is her old Make-Up station. How cool is that!

She knows me. I think I am the most recurring face she sees now. We crossed paths in that backyard long ago. She wanted me to have this in my hands. I earned it; I won’t break up all the treasure inside it. I had my suspicions 50 years ago about that mysterious room.

Now her room, itself a star of a million magical moments of movie history, will forever be safe. Reflections of the way life uses to be stare back at the image that stands in front of it. They can also take you on a journey back in time, before sound in movies existed. Expressions ruled, they made you laugh, or cry. Silent films are like this cemetery, this place is one large silent movie. Horses not only pulled coffins around in a snapshot of history. They also hitched up movie trailers and went “On Location.”

Louis Armstrong..All Right, send us off with a little Jazz, Mr. Satchmo!