I Share with you a story on this Windy Christmas Morning about a windy day onthe MGM Backlot. Follow me knowing this -“If I run- you better run faster!”
Picture taken from same roof as the picture below– the Small Town Courthouse
Windy days on the backlot are exhilarating. The wind can choose to be gentle, romancing you into the peaceful backdrop, or she can irrationally shift her mood. You can hear the rustling when her temper gets riled up. My eyes get wide at her warning not knowing how tumultuous her fury may manifest itself. It’s wildly fun.
During the day, rooftop views are those of fairy tales. The distant villages and steeples have extra vibrancy, like a brand-new color TV. Chimneys on the cottage roofs endure another high velocity test. They still maintain their fake red brick storybook appearance.
The rooftop of the courthouse in Small Town Square is located at the center most point of the lot.This roof is equal in distance to the fence in almost every direction.This is dead center of thislot-Looking North.Andy Hardy’s House is behind the Arco sign,the opposite side is the Hardy front door.Pictures taken on a windy afternoon on the MGM backlot from the same rooftop…
Who’s peekin’ out from under a stairway Calling a name that’s lighter than air Who’s bending down to give me a rainbow Everyone knows it’s Windy
Who’s tripping down the streets of the city Smilin’ at everybody she sees Who’s reachin’ out to capture a moment Everyone knows it’s Windy
And Windy has stormy eyes That flash at the sound of lies And Windy has wings to fly Above the clouds
-The Association
Earth, Wind and Fire are three elements. They have shaped not only this planet but also the backlots I traverse daily. When the wind howls at my house, it’s like an invitation to explore my backlot under conditions similar to war. All my friends know what I’m talking about. The wind opens up new horizons and changes the landscapes, then slams those same doors shut, all within seconds. Like some backlot magic act by invisible magicians.
The stirring breezes invite you, no words needed. It’s magic time on a backlot, cherishing the earth’s moods. The planet must feel exceptional today, every direction I turn is pure crystal blue persuasion. Accompanying sounds can be deciphered many ways. A mad influx of studio history mingles with the present-day vibrations. These vibrations resonate all around us. We enter this windy old place for an unplanned, spur of the moment afternoon…
Don’t be afraid…it’s just the wind!
Wind inspired this Twilight Zone episode–The GraveThe Wind Cries...Lee Marvin!
The MGM sound department should record these haunted wisps. They conjure up so much imagination on windy days and nights on their ghoulish backlot. The winds kick up swirls of dust. It’s as if they are trying to recompose famous scenes that took place on these dirt and cobblestone roads. Ghostly images dance in period costumes. Spirits come and go through doorways as they wish. They magically disappear only to reappear in a window or archway across the way. It’s playtime, spirit wise, in this dream factory.
Every landscape, village, and courtyard come to life in its own unique style. Tall mature trees dance to whistling howls. Revolving doors on the fronts of New York Street try revolving. They muster up just enough energy to partially turn. But it’s plenty enough to scare any nearby trespasser. But this is the fun part, everything is alive inside here.
An Eskimo has nolife– an igloo at the base of this old castle
I imagine security has a hard time, noise-wise on patrols. It’s like kids are everywhere. At nighttime, I bet the guards are even a touch frightened. Strange goings on take command of the landscape. Old, decrepit walls often blow over. Even the arch on Combat Street met its fate from a very strong wind recently. The weather finished off what W.W 2 couldn’t.
Rooftops are supreme on these windy afternoons, the views are sharp, clear and priceless. The keys to my imagination are engaged, the breeze of MGM’s past filters through my lungs and into my brain. I never want this moment to fade away. This magic is what life’s about!
The wind only enhances what is always here. The spirits use the opportunity to present their pent-up energy and flirt with us. A glimpse, a feeling, a hint of where they want us to go next. Whose memory are we chasing? Is it The Little Rascals? Or perhaps Laurel and Hardy. We often feel them here with us. The wind is a stimulant and makes my senses keen. Wild eyed and willing to follow wherever they push us.
I think Rod Serling probably did exactly what Jimmy and my other friends do on these special spirited days. The Lee Marvin episode, The Grave, about outlaw Pinto Sykes seems inspired by a MGM backlot on a windy night. “Hey- is that Lee over there, with Battling Maxo?”
Anything and everything has happened here, the wind simply turns back pages in the MGM history book. The wind creates sound from past troubadours and whips them into spinning shapes that appear as fast as they disappear. Each page is its own story. It is its own place. It is not linked to a clock. It is just a magical place built with extreme imagination.
BattlingMaxo,fresh off the bus, Small Town Square-MGM lot 2, on skates no less.I’ve roller skated there too...
Writers often wander this lot for inspiration which can easily be drawn into their imaginations from these desolate villages. Every twist and turn is stirring in some way when you take a walk around this lot. You might jot down notes with a pencil and paper. Alternatively, you could talk into a cassette recorder. Many stories actually originate from inside here, from the backlot. It’s where they will be filmed so the saying, “You got to see it to be it”, applies here.
I’m caught in the MGM jet stream. It’s like I’m a character in a book or movie. The backlot will become my personal Genie in a Bottle, where all my wishes come true.
Curtains in ancient windows move about behind the dirty glass, like they’re exercising. Soon again, they will hang stagnant, like in a picture frame. But today is play day, like a ghostly, haunted Disneyland. Some fabrics dislodge from their present location with large gusts. They take flight back to the past, as if they are magic carpets. Romeo and Juliet’s balconies seem extremely active, as glass doors reverberate off the door jams. Eucalyptus trees bow under the pressure and leaves fly into the village below. The rustling trees blend in like musical instruments in the wind…
Doorways, rooftops, real windy-special effects
My best friend Jimmy and I enter today at the Grand Central Station, the train compartments are alive this afternoon. Curtains blow through windows that are open in these old Pullmans. They greet us by waving, full of exuberance, like an orient express. Everything on this lot is alive today with a little help…from the wind.
Next to the trains is the snow room, even the slightest breezes create blizzard-like conditions inside this old dungeon. We open the thick ancient door. We stare at a calm environment of stacked boxes. They face every direction and are packed with plastic snowflakes. A huge gust kicks this place back to life. It is as if Wizard Arnold Gillespie turned on a switch. I bet he’s in here laughing at us, MGM’s effects guru for four decades.
It’s windy and clear on the lot, but a snowstorm is underway in this storage facility. We shut the door and walk away from the weather effects we just created. No wind machines are needed today.
The first backlot cemetery I explored is located just beyond my original Hole in the Fence. It was also the first set I ever hid in. It is as spooky as any cemetery I’ve ever seen, day or night. A coffin sits waiting to be buried or maybe it was exhumed. I want to climb inside, but it has too many spiders, so I lay alongside the sarcophagus. Jimmy and I recreate our own graveyard scenes as blowing tumbleweeds bounce off tombstones. I laugh like a witch as Jimmy pretends to get killed. This is how we have fun. Watching TV shows and recreating cool scenes. We just happen to have our own graveyards.
We hide here often, the outskirts of a cemetery. It’s close to the fence on Elenda Streetand the pool set.I was laying in the weeds for this picture- like a corpse.
Dirt blows into the sets adjacent to the many dusty roads that remind you you’re on an ancient lot. Most roads are dirt here. Cobblestone is the pavement of choice, except on New York Street. We often skateboard down the metropolis’ sidewalks, under the famous 5th Avenue marquees. Yes indeed, I’ve been chased on my skateboard. It’s plenty safe, faster than any guard, and portable to climb with. Tools of the advanced trespasser. The pavement here is smooth enough for a movie star…
I sing and dance in the rain on rainy days. It’s just around the corner on Waterfront Street. The sidewalk and street still exist long after the 1967 MGM New York Street fire.Gene likes baseball too, he’s a Pirates fan he told me- we havebacklots in common. Anything not anchored down takes on a life of its own.The theater district on a stormy, windy day
New York Street is an orchestra on days like this. The rest of the lot is just a series of small clubs. This pales in comparison to all that takes place on this street of a thousand doors and windows. Today, we can slam doors if we wish, throw stealth out the window. We might as well have cymbals to smash together on large gusts. We try to imagine what we are hearing all around us, what sets have become active. So much is alive in this deserted, desolate landscape.
Look what the wind blew in...
The Bronco makes its first appearance of the day and drives slowly below us. A black sleeved left arm extends upward out of the window like the long arm of the law. The guard, Bronco Bob himself, clutches the top door of the vehicle. It safely passes by. He is unaware it has an audience above him.
“Will the wind ever remember the names it’s blown on in the past?” “Yes forever” they whisper to us; “the spirits will never leave here, and they enjoy your company”
A friend, Kenny Paes, sent me this colorized version of the Desilu Backlot. Stalag 13-upper right.Yes they are actively filming an episode of Hogan’s Heroes on this fly over…Notice crew parking and how trucks get positioned to hide things or just remain out of frame.Equipment most closest to set is usually most often is -a camera truck. Film needs to be constantly added for camera. It’s why were all here. I can break this picture down for days straight. This captures the lot I know best.
Hahaha-a security guard sits parked in his car when filming isn’t taking place. The “third” guard tower exists in this photo. Security is facing the Western Street. He can see any approach to Stalag 13, except if you climb in back in the heavy brush on the corner of Lucerne. That’s exactly the where my Mission Impossible exploration began on a Sunday night in 1972.
In this photo, you see snow. Ground level and hillside, this was heavy plaster molds with spiders living underneath. You could pick them up and move them. The rooftops were simply painted patches of snow. Neighborhood houses on Lucerne Avenue looked directly into Stalag 13. Only two guard towers existed when this shot was taken, a 3rd would be added at the very left side of the camp fence. It overlooked the backyard that contained a make up trailer used by the show. That trailer originally was built and used by Marion Davies. Three snow patches on right hand hill side our where the three tree stumps are located. A Tiger Tank is parked along the fence line by crew parking, that’s where it was stored. The guy who owns the house that connects to Stalag 13 has started it up, a diesel motor, and was arrested by Desilu security and C.C.P.D. That’s where the make up trailer sits, in his yard…still. I have the mirrors and items from antiquity that were hidden inside.
Residential neighborhoods surround this property on two streets. Lucerne and Higuera Streets. Ince Blvd takes you inside the lot. One other gated entrance exists farther down Higuera. Two roads to enter and exit-both are dirt, as is most of this backlot. The fences were chain link allowing easy view points. The Atlanta Train Depot is the first big large structure left of the camp and hillside I take you on in this story. That is the Gone With the Wind set.Gomer Pyle’s barracks can be seen upper right corner of backlot, La Ballona creek is the southern most boundary of this backlot.
Five complete barracks that have four walls is all we have here. Three others are partials as is Klink’s office. Power is fed by generators behind Klink’s office also. Those generators are mobile., I see a cable run from a barrack to the barb wire fences-another generator positioned there. The long piece of Transportation equipment appears to be a “honey wagon.” Portable mobile bathrooms. This backlot only had one bathroom facility, located off Higuera Street. That way it could tie into public sewers….12 stalls, 6 for men, 6 for women was all that this backlot had at its disposal. Located in between Mayberry and Stalag 13 on the infamous Desilu Dirt Highway. This lot was busy and not enough bathrooms existed, so shows utilized the same equipment used on location. The things we take for granted need planning on movie sets.
he last film here was not what you would think …The only part of the camp to survive in 1974 was the shed aside from Klink’s office. That became a tool shed for The Fortune Movie.
An adult movie finished of this Stalag- She Wolf of the S.S
The hill behind this discussion is how we first approach this liberated P.O.W Camp.
Fact-Klink’s office was just a front of a building, the backside was wide open and the view opposite the front door looked upon the Western Street towards the saloon.
Klink’s office is located behind that corner building with a German truck parked alongside.I had a fort in the saloon located on this street.
More facts–These rope cots came out of the P.O.W’s barracks. The set they are behind is a crossover set, used first by The Andy Griffith Show but also seen in Hogan’s Heroes. In the distance, an original Stalag 13 edifice, with a snow painted rooftop. ‘You gotta keep pushing snow when you’re really in sunny Southern California!”
Front side- this house pictured above.The tree stumps are hidden behind camouflage as is much of the house because…This is Mission Impossible. All the snow on ground and painted on roof had to be removed, then put back immediately.
“Sheriff Taylor” is being shot at as the State Police can’t believe their eyes- This is that set, in my picture I took from backside.. Pre Hogan and Gomer Pyle. You would see Camp Henderson after 1964 in background. With a sharp set of eyes, you can see this set in wide camp views, usually with a big wheeled, red- Fire fighting piece of equipment in background. Cross overs continue on this tight knit tiny backlot…Desilu is family, on the lot and on Television.
Colonel Crittendon on one set
Malcolm Merriweather on another , A Gentle Men’s Gentlemen just down the dirt road that attaches Mayberry with Stalag 13
If that guard tower could speak, Maureen and I’ would be embarrassed!
The Mayberry Highway dirt road-connects Stalag 13 to Andy Griffith’s Courthouse.All Desilu shows have one thing in common, this centralized bathroom in the middle of the backlot. Right side of picture, nestled into hill side. 6 stalls for men and 6 for women.Notice the painted snow on the rooftop, for Hogan’s Heroes, plaster snow comes into play the closer you get to Stalag 13. So many episodes utilize this road, this hillside was my portal to watch filming in the camp area.
John Dehner selling Elixir in Mayberry. Another Desilu cross over star. I had my own Elixir’s that we partaked in up in the Guard Towers of Stalag 13 and in the Taylor Residence where we had a fort upstairs
General von Platzen… Character
Cross overs…Hal Smith, Otis Cambell also known as “Hot Rod“
We loved this character and relived his character running around the Desilu lot…Everyone loves Elixers, even Desi Arnaz.
Put some Whiskey in your water, sugar in your Tea, what are all these crazy questions your asking me?
The people behind the making of all our favorite shows including Hogan’ Heroes. Three most famous D’s…Danny Thomas, Dan Cahn, Desi. Arnaz. Desilu is a union of these fine Gentlemen. The men behind the empire…Let’s not leave out the- The Desilu Queen . Picture courtesy Daniel Cahn, son of the legend.These are the brains to all your Desilu T.V shows, read the credits. If it says Desilu= Top quality!
We need a director and Bruce Bilson worked his way from a 1st A.D on Andy Griffith to directs several Hogan’s Heroes. The ultimate cross over, the man, the legend, I’m so honored to have talked with him! Maureen and I love this legend of a man, here with our first book- Hole in the Fence. If you need just one Director for all things Desilu and Paramount… this man captures what Hollywood was and shall ever be from the Golden Years of Hollywood.
.We start in 1964 for this read on Desilu History;
A Prisoner of war camp that was constructed in the tail end of 1964 for the very first episode of Hogan’s Heroes that was the only aired in a Black and White format. The pilot episode is titled “The Informer.” The series would begin at this time would run from 1965 to 1971. CBS pushed for color as this series was picked up.
Welcome to the Color Revolution as color console TV’s. This was as big of a culture as A.I is becoming today…60 years later. Viewing habits changed, making homes- mini theaters.
You could lay on shag carpets and eat T.V dinners off a tray parked in front of T.V sets. Some families demanded dining room participation but eventually, the talk at these table was as much about television shows as it was “what’s new with our family?”
My mom believed in family prayer at the dinner table. Going to a Catholic School, it seemed I prayed all day.” Lord- please provide me good television was my mantra and bless all the animals…Amen”
Prayers answered-not only did I receive that, I was steered divinely to places where these T.V shows were made. We were taught the Golden Rules of the Ten Commandments and luckily for me-“Trespassing wasn’t one of them.”
Trespassing isn’t a sin mother, she saw a passion in her son’s eyes at a time when television was taking off.
Stereo’s had built in record players and slots for 8 Tracks tape players to slide into, so much entertainment, you hated to have to go to school!…Columbia House had adds in magazines offering 8 records or tapes for a dollar. Once they hook you with that deal- expect a stack at your front door monthly, at a readjusted price. That describes the Home Front where we watched all are favorite shows and series in comfort and luxury, complete with a dog or two at your feet, and a 67 GTO parked out front.
I knew these studios existed, I could see MGM Lot 2 from my house, Desilu was a bike ride away. Imagine for a moment when I finally crossed the Blue Line and began living amongst these iconic sets. Reruns allowed me to relieve things filmed at these studios months, years and even decades before.
Over time- I would become in contact with almost every famous set in Hollywood, beyond Culver City and our neighborhood film factories.
Because of ‘Dogs on Duty” and there indeed were, it delayed my exploration of this famous Stalag. The night we finally entered Stalag 13, we were scared to death. I had very few volunteers to to go on this expedition.
We studied the camp from the big hill that looks down upon it. A calling to me was being transmitted from who I don’t know, finally on a Sunday Night the time had come to live on this sacred site. Sneaking through a yard of a city resident was the shortest path to this Stalag. At night it is pitch dark, factor that in to a place secured by vicious dogs.
Marion Davies to the rescue
First we had to climb a fence to get to the Desilu Fence, in between climbs, in someone’s yard, we hid behind a shed. This was a point of No Return. Like the Dirty Dozen at the chateau, we went over possibilities that might occur, gathering confidence needed for the next climb, we finish this planning behind a shed that 50 years later, I discovered this is Marion Davies make up trailer. This night- it was mission command post.
Like the P.O.W’s had to do, we are now sneaking into…Stalag 13. We are inside laying along side fake snow and deep grass, ready to retreat if need be. Still close to a fence to escape, our eyes become night vision goggles…or better described as a nest of owls. We carry cans of mace in case shit hits the fan in Stalag 13-with dogs on duty!
The coast seems clear- next-run like a bat out of hell to a guard tower located next to the red and white guard shack. We shut the main gate and latch it in an attempt have a barrier in case dogs show up. We are now living our own episode of this cancelled T.V show. Now-up a simple ladder, and we are looking down on this Luft Stalag. If Hogan could see us now, he would salute us. We came and conquered another landmark set.
Fast forward 1974
This perfectly conditioned camp was ours to enjoy. I felt like a teenage Producer, having a full backstage pass. I would thank God in my nightly prayers for providing me with the Super Powers needed to be a top notch trespasser. I owned Stalag 13.
All Things Must Pass
In an unexpected move, I arrived on the lot only to find the Stalag is being decommissioned. The Guard towers were relocated toward the fence we first climbed in on. The kennel and the dog house were no where in site. Only a shed next to Klink’s office was still left where it has been since 1964. Turns out this would be used as a tool shed for the production that is now taking away everyone’s favorite prison camp.
The series lasted 6 years and the Stalag itself- 9 years. I was in charge the last two. I had every set in Hollywood to work with but this one was far my favorite…a deserted Stalag.
It wasn’t built to last forever, the barracks had ho floors inside, just dirt. No foundation, they leaked heavy in rainy season with puddles building up inside, making everything muddy. Wood and rope cots were the only contents inside. This camp never was vandalized, trespassing hadn’t taken off inside yet.
No one knew the place was empty and yours for the taking. Guards patrolled in cars now and then, but not in a forceful high profile way like MGM. More like a farmer checking out his ranch.
In 1965, Hogan’s Heroes became a Top Ten Show in its first season. When the network pulled the plug 168 episodes later, its ranking was #39, but pulled 19.8 in ratings. Gomer Pyle shut its gate just through the eucalyptus trees that separate these camps the year before in 1969. Pyle’s ratings were extremely high, winning out over Hogan’s Heroes. Only once did Pyle fall to double digits, #10 in ’67, but #2 or #3 all five other seasons.
Bonanza rates as the all time powerhouse and filmed many episodes on our Western Street whose upstairs saloon I had a fort in with a working off-lot phone, I have called my mom from this saloon telling her “I”m Fine and am staying over at a friends house,” Pat did the same as we camped out in the backlot all night.
Desilu Television dominated T.V Ratings-Andy Griffith, Gomer Pyle, Batman, I Love Lucy, followed by Hogan’s Heroes. The Andy Griffith Show spun off to Mayberry R.F.D and that series took off, briefly. The Jim Nabors Show replaced Gomer Pyle, Hogan’s Heroes never finished back in the Top 10 after its initial season.
Star Trek, Batman, Andy Griffith, Gomer Pyle, Hogan’s Heroes, That Girl, and a collie named Lassie all had successful series overlapping each other using this backlot. The only fights they had were over prime time and slotting against other big hits. Star Trek was knocked down when slotted on Friday Night against Gomer Pyle.
As Jim Nabors became the king of this lot, Bob Crane guest starred on various series such as Love American Style, and two Disney features, Superdad and Gus. and even doing the Dinner Theater circuit. That is when he met his fate, in Scottsdale, Arizona, still a mysterious and unsolved mystery.
Rest in Peace– Colonel Hogan, your surrounded by fans still!
These three are also linked for eternity…Their graves look at each others…
What a gem this short interview is…amazing how fate plays out- Destiny!
Bob is laid to rest just across from Marilyn Monroe. Forever this close…
A film titled The Fortune is clearing out all things Stalag 13 for a large build on a southwest Bungalow type setting where much of this film is to be filmed. Warren Beatty is the star alongside Jack Nicholson. Jack would soon win an Academy Award for China Town following this effort. All you followers of Hogan’s Heroes will recognize the trees, grass burms, minus the fake plaster snow and all things the landscape minus the camp.
I was on this set all the time, looking down from hillsides that were used by our merry men. I actually needed to be rescued by this film crew when this hill caved in and I fell into it’s bowels. I didn’t realize this hill was partially fake and hollow inside.I found at the hard way because there was no escape with an extension ladder.
The Fortune rescues Donnie…
Fortunately, I was the only one captured inside this hillside that was part of Stalag 13, close to the tree stump, which I had already removed from the lot. I got to know the construction crew who built this new set and they showed up for the rescue. “Oh it’s you” was how I was greeted when my head appeared through the tall grass.
“Hi Guys -Thanks for showing up!”
Stuff from the camp…
Well I got the Pearl, this tree stump would continue on entertaining kids for about 5 years before collapsing from over use and oversized kids. The Stalag Barracks doors ended up in a yard close by, the same yard we hid in our first trespass. The black door handle on Klink’s office at this time had no significant value. Nothing in this camp was considered legendary- chew on that folks!
That’s the one consistent fact of life, this was just stuff no longer needed. I wanted a dog house and a guard tower of course, but I was able to rescue “The Stump”
That home on Lucerne can still be seen today, Chris the property owner says the fence had a gate connected to the Stalag and this show used Marion Davies 100 year old trailer for make up touch ups. The stars congregated in this very special yard that Desi Arnaz was part of including for this T.V series. Desi updated Marion’s 1925 music box to a modern Panatron system of entertainment where actors could be notified they are needed and their make up status. A sink to take make up off and a bar of soap last used by- Who Knows -sits along side my ancient mirrors from antiquity. Yes Marion Davies and myself are connected to Hollywood Forever. I’m truly an old soul that’s why I was picked to rescue this from demolition that is most certain for this corner.
The last series ever to utilize this room was Hogan’s Heroes. A personal gate separated this room with Stalag 13. This property, formally owned by R.K.O has green under-paint, everywhere, walls, sidewalks, etc. This room was locked shut after Hogan’s Heroes, with all the spirits still inside. I let them all out to live on forever.
Picture most -left -is where we first snuck in, the yellow streak represents Marion Davies 100 year old make -up trailer. That tiny backyard shed is where we first hid, in between fence climbing, it’s connected to Stalag with in own entry to and from camp.These screen grabs our from 1967, Mission Impossible.
In the pilot episode that started it all, General Burkhalter was a Colonel, not a General. I did not know until much later, Robert Clary was a P.O.W in WW2. I met him after the series in 1977, on the set of Fantasy Island. Yes- he was in a prison for that episode…Devil’s Island. His character Ipsy La Fan had to escape or rot forever in this jungle prison. Bert Convy also starred in this as a magician who could escape from anything. Together, they found freedom. I sat next to him in director chairs used by the cast and talked Desilu on the MGM backlot, I broke him the news that Stalag 13 was removed but softened the blow by telling him my tree stump rescue.
Decades later, here I am connecting dots in history. This kid trespasser is now a historian of sorts, based of boots on the ground experiences that stand up to…the test of time!
Hope you enjoyed my romping around with me. My book –The Uninvited Visitor-takes you to Desilu as a trespasser and we close the curtain on this wonderful backlot with never heard -real stories. Available on Amazon…
Phantom of the Backlots 