“The Stuff that Dreams are Made Of”-1924

Screenland turned 100 years old this year…

THOS. H. INCE launched the film making machine way back when Culver City just incorporated itself as a city. Sherman Place- just outside the studios East Border-would soon become Ince Blvd.

One afternoon, we were coming home in the family station wagon. Batman was filming out front on the porch of this administration building. Batwoman on her purple bat looking motorbike was assisting the two male capped crusaders against Catwoman Eartha Kitt” and Joker”Caesar Romero”

This is exactly what I saw that afternoon. I was in dad’s pool cleaning station wagon with a leaf collector pole sticking out the back window. I hung out the side car window, like a puppy dog ready to jump!

Notice the angle of the two biggest stages. They are facing towards the sunrise. Windows line the upper portion for maximum sunlight penetration. The design was simply to maximize sunlight illumination inside as the sun traverses east to west...Interestingly, these stages were moved to conform to the neighborhood sprouting up alongside.No longer in need of chasing sun light.

Inside stage with natural sunlight peering through upper glass windows. Artificial lighting from electrical distress creates intense heat on stage, depending on amount and size of equipment. Air Conditioning must be factored into stage design, to keep actors make up from running. Interestingly, an ice company was directly across from the main gate, large blocks of ice helped cool down interiors. Ice picks were found stored inside Marion Davies make up trailer…Ice was King!

Top left corner-Lucerne/ Higuera intersect out front a home that once was part of the studio Ince built. Marion Davies was to be the first occupant to use this area connected to all utilities. They include power, sewer, and water. History that followed links King Kong in 1933, followed by Gone With the Wind. In the 60’s – Batman Adam West was seen frequenting this area....I once used Adam West as an alias. A security guard stopped me and some friends visiting the set of Al Capone. Bruce Lee had already been taken or written down by another kid. This slip of alias’s was handed to Roger Corman-who stared puzzlingly at Mr. Security., while reading our fib list He said “they’re fine- leave them be.”A hilarious backlot memory!

1924- A Man and his dream…Thomas Ince

Thomas Ince built this iconic Colonnade prior to building another studio just down the road a bit.

A very special sidewalk I perused down daily on my way to St. Augustine School.

This section of then Triangle Studio existed before MGM took control. This was largely thanks to the wealth of Marcus Lowe. It is identical to the stages Thomas Ince built at his other lot. They are built to follow the sun’s rays-illuminating all things inside. Stages align with the sun like a giant magnet.

Before Variety was launched in 1933-this was the movie insider magazine.

Lots of stuff happened here in 1924, forever shaping Hollywood.

In 1924A Movie Star Compound on Lucerne was completed. The plan was Cosmopolitan Pictures and founder Randolph Hearst was to merge companies with Thomas Ince. One man had endless money and stories for scripts. The other man had filmmaking know-how and the facilities to do so. An example of Rented facilities…

Marion Davies and her famous first make -up trailer

In 1924there was a Koi pond with a statue from antiquity located where I stand.

Inside this room – legendary mirrors reflect push button fancy switches…

Early 20’s luxury…A place to chill out as tedious make up is applied…

A camera was used in King Kong for make-up continuity. A massager that still works from 1921 was Marion Davies‘ tool of choice during long make-up processes in the chair.

This make up room and connecting compound, Anneberg Beach House and San Simeon were designed by this intellectual artist-Julia Morgan.

A statue dating back to Randolph Hearst and his vision for this Triangle property.

Then suddenly- on a yacht cruise announcing the merger of Ince/ Cosmopolitan, something went drastically wrong.

Best laid plans no more-alternate endings and mysteries happen in Hollywood. Enter Cecil B. DeMille to take over the landscape.

DeMille, in his fancy boots took control of the facility built by Mr. Ince

Across the way from The Ince Studio-The Culver Hotel woulds be added to this Main Streetalso in 1924

The Hotel that started it all…Co built by Harry Culver and Charlie Chaplin, later sold to John Wayne.A corner where film history was continually made.

Down the street at MGM, another Hollywood Legend moved over from Paramount Studios. He forever put forth ingenuity and creativity into some of the most complex scenes ever put to film. The man all the stars looked up to- Mr. Arnold Gillespie. He had a St. Bernard named Joppa, a street name on the backlot. He was part owner of The Los Angeles Dons football club in 1946

Don’t laugh this off you- Hollywood types! Other owners besides Arnold included Louis B. Mayer, Bob Hope, Bing Crosby and Don Ameche. Before the Rams ever played a game in the Coliseum The Dons owned Los Angeles. MGM owned The Dons. Bet ya never heard that on the tour!

This Wonderland was my backyard, The red lines are me” running” from security, much more red would later be added. Special effects had dungeons in strategic secluded places on the backlot. None more haunted than the Snow Room, located backside the Grand Central Station. It’s the type of place you would dare for another kid to go inside. Of course, lights off and be alone in this dark, musty corridor. Snow is everywhere you turn, powdered snow, plastic flake snow, and plaster molded snow…pipe tobacco seemed always present…”I dare you to go in, double dare ya!!!”

Baldwin Hills Oil Production beyond tanks/train. Comrade X -1940

Oil production just beyond the old MGM Lot 3 fences in 2024. This is located exactly where the black and white oilfield derricks are, these towers stared right into the backlot. Normally an extremely quiet area when Combat wasn’t filming…Seriously. Nature hidden away at it’s best. Often the only sounds were the back and forth hissing and hawing of a pumping well. A scent of sulphur and oil accompanied these sounds. Yes- I touch everything…

The film that started it all at MGM

Location-ItalyBefore air-you set sail to this destination.

Arnold Gillespie-left, and the Neri Shop Forman-making sure all is -Sea Worthy-aboard these galleys.

The galleys are being towed out to sea by the lead tug boat. Unexpected challenges and delays infuriated Louis B. Mayer, who after a visit to Italy then and there decided this film was to be completed in Culver City.

Just off La Cienega Boulevard-is where the Roman chariot race was immortalized… Film making at its best!

Massala’s winged helmet, worn by Francis X. Bushman, was salvaged at the MGM Auction by Debbie Reynolds. Right, 2 Technicolor Trailer Frames.

Ben Hur nearly bankrupted the studio. However, it went on to be MGM’s highest-grossing box office hit. It pulled in 9 million dollars. This figure was unsurpassed for the next 25 years. This film established MGM into the top tier of movie studios. A force to be reckoned with.

My slice of the Golden Years…

Another fine collectible found inside this ancient trailer dating back to this time is Spanky McFarland of Little Rascals fame. This light dates back to that series that filmed originally at near by Hal Roach Studios. Some of the spirits that occupy this triangular plot of land. Everything inside this room turned on as ifMagicallyWelcoming me”

Culver City 1924-We begin…

Movie studios begin sprouting up everywhere. Hal Roach started with his Little Rascals. Thomas Ince established his shiny new play land. Just down the street, MGM set sail in year one. What a time to be alive…

“There’s oil in them there hills” At the same time, Standard Oil struck gold in the hills surrounding these studios. A man named Howard Hughes bought property not destined to have oil derricks drilling into the depths. Entrepreneurs from various backgrounds establish their presence all over this perfectly landscaped city.

These hills framed the studios backlots while filling up drum after drum, tank after tank of crude oil. Black Gold competes with shiny –Glittering Gold, inside studio fences. Pioneer Howard Hughes was the most ambitious of all, a master of adventure, a brilliant engineer, his specialty –Aviation. Howard owned the highest peek in Culver City, Hughes Tool Company signs dotted the upper hill sides. All entities fit along side each other – with all being extremely successful, but not without hardships.

From MGM Lot 3, you could see the derricks standing tall on the Baldwin Hills side of the chain link. Oil did better than film early on and has long outlasted backlot film making.

Doing this stuff was not easy; otherwise, anyone could have done it. These pioneers laid the groundwork. Abundant resources were available for visionaries at that time. The saying goes-“You have to see it to be it!”

Speaking of which…

I conclude with an exciting finish. This long awaited book is being cleared to land. Maureen, Mike, and I have worked very hard. We have been diligent in finishing the trespassing stories we lived in the 1970’s. Included will be a boat load of my personal pictures including the tear down of MGM Lot 2. This is not a destruction book, it is an adventure book. We start with the British Invasion of MGM in 1977. Join Peter Frampton and The Bee Gees aboard this hot air balloon. Yes- these stars are inside that basket hovering above MGM. Many Rock Star guest appearances included. Even Sylvester Stallion is involved. Director “Sly” selects me for a part in a film at Universal titled Paradise Alley. I take you on Stage 12 with me, the start of a 48 hour straight non-stop studio party.

Coming soon on Amazon

Written and lived by… Donnie Norden

Bongs, Backlots, and Rock & Roll: 1970s Tales…

The “paraphernalia” used in today’s adventure. Bamboo grows along the studio fence on Van Buren Street. A 10 foot high chain link fence is a less than formidable separation. It stands between my friend’s apartment building, carport, and these iconic stages.

The herbal product imported from Thailand that is easy to come by at Public School. You don’t have to go to Thailand, Primo is the word best describing this very tasty and exotic import. Tastes like flavorful dark, rich coffee when smoked in a Bong. Bold, relaxing, and extremely intoxicating…

We start this story on the Main Lot of Laird Studios. We still call it Desilu, since that’s the name it was for most my childhood. In picture 3, top row, you can see my friend’s apartment building-bottom right of frame…yellowish building.

It is on Van Buren, the property line separates the main lot from his apartment complex. This was a popular destination amongst “stoners” since top quality ‘smoke and hallucinogenics” can be obtained. Like a neighborhood “7-11” minus the Slurpees. Run by long haired teenage entrepreneurs named David and Steve. They join me and best Pal “Pat Rich” on all that takes place in today’s story.

Before we head to the backlot where Stalag 13 is located, we go up into the ancient dressing rooms. These rooms overlook Van Buren Street. Bruce Lee lived in a Duplex right below this- no longer existing stage. Amazon Studios casualties include many legendary stages. That’s not -progress.

My hero- not Batman anymore-Catwoman

Here is the rooftop of the soundstage in we are exploring today in a Batman episode. Dressing rooms built on the exterior of these stages. This is the only lot I have seen with stages that have dressing rooms attached to the top. They are accessed by long stairways. Don Kirshner films his legendary rock and roll video concerts here. Often our neighborhood pals would be used as fillers for audience. I saw Elvin Bishop do a taping of “Fooled around and fell in Love” his hit song.

Under that rooftop-this storage area is discovered ...

This beaten up TV is eerily similar in every way. It looks just like the set I’d sneak on the MGM Backlot to watch Twilight Zone. I also used it to watch Combat episodes. A TV you can run with usually ends up looking like this.

This was backlot entertainment…Sadly this cassette player fell to its death on the MGM backlot in the church steeple in Combat Village. A song was playing by Led Zeppelin-Kashmir. It’s a long fall. The music was heard during the fall, before impact crashing down on cobblestones, 4 stories below. Needless to say- all my portable electronic stuff had really fun lives. Tonight’s recordings feature this recently released comedy album that everyone in school listens to…

We arrive at The 40 Acre backlot for uninhibited “fun and Games.” Just four teenage Stoner Boys. We have a bamboo bong, Ty Stick, matchbooks from a local bar “Sarna’s,” and a Panasonic tape deck. I record songs and albums on cassette tapes for studio parties.

Where comedy and rock music combine- in the Guard Tower at Stalag 13. “Take another hit, of fresh air and California Sunshine” Quick Silver Messenger Service gets this guard tower party started! This is how our brains functioned this day…

These photos were taken by me in the grassy hill right above the tree stump, overlooking the camp in 1974. The rigid pipe is for the sprinkler system. We would turn it on and lay in hammocks we put up on top of the hill overlooking the Stalag. Sadly, I was going in to specifically photo expose this Stalag when before my eyes, it was being removed.

They weren’t tearing down the lot. A show titled The Fortune was about to build a village. The show starred Warren Beatty and Jack Nicholson. They only left the utility shed pictured with a snow painted roof. Foreground in last picture are some rope cots and other props stashed behind this house below us. The camp stood until 1974. That’s when I liberated the stump with help from Pat. When entered for the first time late 1972, the camp was perfectly in tact. A native plant you see in the top 3 photos actually is like sandpaper. Finesse is required at this point. When you cut through it, it can scar you up. What doesn’t around here?

From the Front Lot to the Backlot-we double dip this afternoon and evening…Summer 1973

We start our journey “Dazed and Confused”

Pat and I peddle our bikes to an Apartment Complex built behind Desilu Studios. It is best known to kids for what can “be had” from tenants inside units. Two friends live here-Steve and David. Long hair, very popular hippie types, Public School friends.

David shows us his Bong Business. From Bamboo shoots that separate the Desilu Main lot and his parking complex-Pat and I are impressed by his craftsmanship. Airtight with wax inside for sealing and water-proofing this smoking device. They are known to be the best Bongs in Culver City. I’m equally as interested at the main lot behind this free growing bamboo. The conversation shifts from Bongs to trespassing.

Pat and I are told that these brothers often trespass starting from this high fence blocked by bamboo. They then go up into the ancient dressing rooms built along the backside of these soundstages. They point upwards to stages looking down on us where we stand on delineated-painted parking stalls on blacktop. Since Laird became owner, backlot security, more specifically the “Guard Dogs” no longer exist on the backlot. It’s become a “Teenage-Wasteland” that more often than not is completely uninhabited by adults.

These brothers offer us a tour of the front lot dressing rooms. They assure us it’s almost completely safe. They also share some exploits from their life along this fenced property. These two brothers have more history trespassing this front lot than anyone else I know. We shy away from front lot trespassing. The consequences are severe, like a visit to jail. Also, hiding places are few and far between. But-not wanting to be…”Chickens,” Pat and I accept their invitation with one lone stipulation “we carry no contraband.”

This is advanced trespassing when you sneak around soundstages. No distractions needed-bring your A game”

We climb the fence using bamboo like Koala Bears. We squeeze in between and step on the chutes, like a ladder built by nature. An easy refreshing climb from a bamboo jungle to a concrete, secured jungle. All paraphernalia is left at their house because lots of things can go wrong here. We hug the interior fence line and reach a stairway. The stairway ascends upward to a long walkway. The walkway is in front of all these rooms I have been looking at for many years. I have never attempted to occupy these rooms.

This is so exciting not knowing what’s inside and the adrenaline is more powerful than any drug at this moment. I choose a random room and turn the ornate glass handle to enter…open sesame.

Inside, we are greeted by a musty smelling vacancy that suffered extreme water damage. A smelly couch with room enough to change costumes and mirrors for make-up to be put on the actors. Tiny bathrooms finish the room off. The last stars to be up here had to be long ago. Wood stuff is rotted and the smell gets to ya. The floor has tiles with black and white patterns. We now see before our very eyes something we have been wondering about. We try other door handles that do not even have locks. We enter several other dressing rooms. These rooms all have their own stories-if they speak.

We go back down one of two stairways up top here. We mosey into what was a soundstage. Now it is a stock unit storage area. Props and walls, every studio has storage like this. There is activity on the lot and we are forced to hide as we hear voices. We are tucked away in an obsolete corner surrounded by set walls kept for storage. A hole in broken drywall allows us to peek inside a mysterious room, but not big enough to fit through. What we see is film cans, tiny thin ones with Lucy stamped on them. We don’t see any door attached to this room. Access is maybe from the front where we would most likely be seen. Well, we got our fill and answered several questions on what we have been looking at for several years. We backtrack back to the fence we entered to now exit to head down Van Buren to the backlot.

March on Starship Troopers…

Now we are soldiered up. We are carrying a bong and a Panasonic tape deck for some backlot partying. We choose Stalag 13 as our destination of choice. I was just here a week ago and I still have a “hickey” on my neck, from Maureen. It’s fading like those joke shop tattoos we buy on Main Street. But, this is real-done by a real hot girl.

As we enter, we pass down Western Street. So far, we are the only folks on this backlot. We slowly walk up Western Street and I push play on my cassette deck. “Cisco Kid” by the band War begins to set the mood. It’s as if this song is written for this street. We pass a saloon as the lyrics “Poncho drinks the Wine” is versed. I’m already high and we haven’t partaken in our session yet.

We arrive at Stalag 13, around the corner from Western Street. In minutes, we are in a guard tower. I was just making out in the guard tower last week with Maureen. Today, its all boys as we situate one boy for each of the four interior walls of this guard tower. Our feet connect center stage like spokes on a wheel. We break out the contraband. Before I turn back on the music and comedy, I casually flip the hair off my neck. This exposes hickey for all to see. Boys will be boys

We talk and spark up, we start with “hot girls” as a topic. Susan Dey of the Partridge Family seems to be a topic that gets beat around the most. Peggy Lipton of the Mod Squad is also often discussed. We all agree Linc has a pretty cool Afro. You don’t see “AFROS” on TV, but you do on city streets.

We too are a Mod Squad…

Just the mentioning of all our female actress’s practically ignites our red covered booklets of Sarna’s matches. My pop brings these home almost daily, from a bar right across from the studio.

The bubbling sound of a “Bong at work” intersects with deep conversation. This conversation is sophisticated, as only 13-year-old stoners can deliver. We cover everything from Pro Football and the undefeated Miami Dolphins to the World Champion Oakland Athletics. We also cover Vietnam, a place none of us want to end up. “Our Thai Stick comes from that region. Soldiers smoke this,” I point out as I suck on my bamboo peace pipe. “It’s called the Golden Triangle” as I burn my finger talking too long. Last week- I was sucking on Maureen’s neck up here. Today, she’s been replaced by a piece of bamboo and a stick of Thai.

Must be explained: The object of taking a bong hit is to consume the entire hit. This includes the herb loaded in the chamber. When this successfully takes place, the bubbling sound turns into a hissing sound. This is usually simultaneously followed by coughing. Then a large smoke plume often appears, and possibly death...just kidding.

As my lungs clear up in this Stalag 13 guard tower, I tell Dave and Steve a bong story. The story involves Pat and took place in my backyard. “I have several cartridges of blank ammo I got from MGM- left over from Combat. Pat was coming over to my house. I wanted to greet him with a bamboo bong hit. We never use cheap plastic reproductions. As he walks through my back gate, I greet him with my peace pipe. “I got one ready for ya,” I hand him a lighter and bong and step back. He does not know below the herb-in the chamber is gunpowder from Combat. So I’m not exactly sure what will happen next.

“Ignition” at the spark of the match. A massive flame engulfs his face. It was a blinding flash that disappeared as fast as it ignited. Pat has a goat styled beard growth that was smoldering, after the flame flashed out. He couldn’t see briefly. That didn’t stop him from trying to punch me out. Blindly, his swings miss their target as he smolders. I never laughed so hard. Pat at this moment, as when this happened, sees no humor in this story. Once again, he kicks me with those stupid boots he always wears.

He may need counseling, this event really seems to bother him.

We are sitting cross legged on the floor, our heads still remain below the frameless, glassless windows overlooking the Stalag. We can’t be seen, the tops of our heads are below wood framing. But I’m sure at times can be heard- a long ways away. The more we pass the bong the higher each of us gets. Faces change shapes as the effects of being stoned are happening before our eyes. “Take another hit-of fresh air”

We all do Sergeant Schultz impressions …”I see nothing but colors” is my anecdote as each stoner does his own Sgt Schultz. The beauty here is we go home and watch the reruns on T.V, at home- it’s like this series is still going on. In our lives it is. David does a solo verse of a song titled Sweet Leaf by Black Sabbath.

David says he ran into Tom Laughlin, better known in these parts as “Billy Jack

He continues, ‘We were skateboarding down Ince Blvd. He passed by us on a motorbike and waved.’ “Interesting,” I exclaim! “Every set on this backlot has Billy Jack written inside it, you know.” I elaborate on his story. “Someone has an obsession for “One Tin Soldier” around here.” I continue “I’m glad Billy isn’t security around here, then again, he’d work with us. “

Cheech and Chong take stage in this guard tower. Sister Mary Elephant opens the comedic part of this deep mind journey. Pat and I find anything to do with nuns extra funny since we both served a long sentence at St. Augustine’s. We were both kicked out before 8 th grade. We were told, as were our parents, we have been seen trespassing out of MGM. We were spotted by a station wagon full of nuns, of all things.

The final straw was attaching a strange boy to a rope attached to the school flagpole. We buckled his belt to the rope reserved for flags. They then hoisted him upwards. The school had lots to explaining to the parents and we were told to get our education elsewhere. That leads us to where we’re at now…elsewhere it is!

After spilling the Bong water, a necessary component in Bonging, “we- cotton-mouthed long hair freaky people,” call it a day. We have been laughing non-stop for what seems like days, as for now, we’re just really thirsty…

Written and lived by…Donnie Norden. R.I.P. Patrick Rich you are missed.

Finding the Columns of Tara

A rare postcard I own showing the filming of Gone With the Wind. Notice the Main Lot studio water tower is seen peeking through the trees.

All that remains of the famous Backlots in Culver City are dirt, a few trees which bordered these backlots which escaped demolition and a fossil footprint which can be seen looking down from Baldwin Hills or Google Maps.

50 years later, I still walk these areas each morning with my dog Thora. My morning walk takes me down through the Studio Estates housing complex, formerly MGM Backlot #2; then down Ince Blvd to the Warehouses which were built over the 40-acre backlots.

I have a passion for Motion Picture Archeology, and I’ve always wondered “How much of these backlot sets are still buried underground? Was it easier to bury some of it than haul it away?

There are a number of pictures from 1976 which show the 40-acres backlot completely demolished and leveled out other than a pile of bricks and concrete. What sets would actually use real bricks, since most of these sets were never built to last?

The answer to this is simple. Wilbur Kurtz, who was hired on as an Artist and Historian during the production of Gone With the Wind states: The majority of Tara was built with composition board “the kind you find at Sears”. Only the brick columns and floor of the front porch were actually brick and mortar. Bingo!

You’ll see in the pictures of this post that the brick and concrete moldings, which I covered on a prior GWTW post, match up perfectly with the columns of Tara. Now, what I’d like to find out is… are the columns still buried there?

I’ve narrowed down the current location of the columns using before and after pictures, and call me crazy, but I for one, would love to rent an Excavator and dig up a section of the parking lot to see if they’re still there!  Is anyone down for a dig?

Story written and lived by Donnie Norden

A 1939 Publicity still showing the real brick columns

Desi Arnez Life magazine, 1959. Tara is nearly see-through from decay in the background.

Here’s a great shot of the Tara brick columns in rubble taken in 1976. Notice the moulding is a match.

Another shot of the Tara columns with the Studio in the background. Same studio water tower in the 1st picture of this post.

An aerial shot of the backlot showing Tara (yellow arrow) and the A-frame house (red arrow) to line it up

That same A-frame house can be seen here in 1976 and today. The yellow arrow is our estimated Dig Point!

Vivien Leigh on the porch of Tara in 1939 and below her, the same angle in 1959 in decay.

Another angle of the Tara columns (B&W) taken toward Baldwin Hills, and the Tara location today.

David O. Selznick in deep thought wondering…. Should Donnie go there late at night and dig it up?

Ingrid Bergman in 1943 posing in front of Tara. Tara can be seen later in many movies and television shows.

David O. Selznick standing inside the Atlanta Depot. The majority of the sets he built on the 40-acre backlot remained in use for nearly 30 years.

Thanks for reading! For more backlot adventures, check out my newly released book on Amazon. Phantom of the Backlots Presents: Uninvited Visitor https://a.co/d/eRTFLsy